Taking a 955i Tiger from Triumph Engineers to Vintage Ownership

 I'm bound and determined to keep the old Tiger in motion. Triumph has abandoned me in
terms of parts support, but there is another way and Classic Bike Magazine shows you how to find it. I used to depend on Practical Sports Bikes for keeping these pre-classics in motion, but they killed it.

Rick Parkington writes a lot about the transition from standard manufacturer supported bike ownership to vintage bike ownership, but what he's really on about is keeping a bike in motion when the plug-and-play relationship with modern bike parts isn't an option any more. For a modern Triumph that happens about 20 years after they build it (I've had older Kawasakis and Hondas that kept providing parts, but I digress).

The biggest thing to get your head around is being ready to find alternatives that meet the needs you're facing rather than following the manual and hoping for parts to arrive that you can swap in. One of my issues on a 90k+ bike is slack in the machine. The throttle stop has worn down over many miles so I've been playing with putting a spacer nut on there.

When I had it apart today I used the grinder to try two different cuts of nut to get my idle back to where it should be. The middle one gives me perhaps a mm of recovered space on the pin that catches the throttle when it returns to idle at a point that doesn't make the engine struggle.

Another one of those vintage approaches is around battling fasteners. You can never assume something will come off as it should. In this case the fastener on the throttle casing on the handlebar creates swear words.

While I had it apart today I put in two new cables (throttle and clutch). Thanks to Rogx in Germany (who are still producing new cables for the 955i Tiger which was popular there), I got two new cables with all the hardware and it arrived early and with no headache (I love dealing with Germans!).

The clutch cable was fraying by the transmission so it was well past time. My thought is that if this one lasts as long as the first one (over 90k), then I'll be happy. I ran both cables next to the existing ones to get the runs right and then removed the old ones afterwards. It was a satisfying rainy Sunday afternoon in the garage.

No complaints (other than Triumph not supporting its own machines when they are less than 20 years old). These cables both did over 90k through brutal Canadian temperature changes.

A satisfying Sunday afternoon getting the Tiger sorted. I think another couple of hours and I'll have it back in motion for the end of the riding season here.

I wrote this as I was catching up on the Indonesian Grand Prix in MotoGP after a crazy (but awesome) week at work. I lost Marc after the Valentino incident back in 2015, but I'm starting to find my Marquez fandom again...

Eleven Years, Over a Million Page Views

I started writing this when I got my motorcycle license in my early forties. The first post was in March of 2013 when I decided to get my learner's permit. From there I've tried to (as honestly as I can) describe my motorcycling experience. In that time I've gone through a bewildering array of bikes as I've figured out how I was going to enjoy this hobby. I noticed that the blog has just passed a million views (and messed up the odometer styled page counter), so thought it time for a review. Where have I wandered in the past 11 years of motorcycling? It all began with my Mum's passing and an opportunity to ride without panicking those around me.

The First '07 Ninja 650 seemed like a logical starting bike. From there I got my first fixer-upper in the form of a '94 Kawasaki C10 Concours. Getting that out of a hedge, sorting it out and putting lots of miles on it felt like a big win, but I was still learning and when the carbs went on me, I lost the plot with it. That's one of those 'Costanza moments' when I wish I could have a do-over - I've got the tools and knowhow now to sort them out!

The KLE dual sport was too small for me (couldn't get me to 100kms/hr which is dangerous on our increasingly crowded and impatient local roads), so it came and went. I also dabbled with an old Yamaha XS1100, but never got it road worthy so it doesn't make the list. Then there was the PW80 I got for Max which he wanted nothing to with, so it came and went. Neither of them cost me anything (I broke even on both) so, whatever.

With the Concours acting up and a dead Midnight Special in the garage, I was prompted into the '03 Triumph Tiger, which has been my longest serving machine (currently at 8 years and over 40,000kms travelled). The Tiger filled the gap for a long time and let me drop both the Yamaha and the Kawasaki. While the Tiger performed regular riding duty I came across a Honda Fireblade that had been sidelined for several years, got it for a song, fixed it up, rode it for a season and then sold it on for a small profit, which felt like a win.

During the early days of COVID the Tiger started acting up and I came across a 2010 Kawasaki GTR1400/Concours 14 for sale with low miles that had also been sidelined in a shed. I sorted out this complex bike and once again felt like my mechanicking skills had levelled up. With some extra contract work I'd done and the money from the Fireblade this step up to something more expensive didn't eat into savings.

The C14 and Tiger are both still currently in the garage. In 2021, as COVID lingered, I came across an opportunity to try a vintage restoration. I had a choice of several bikes and took one that was the furthest gone, which in retrospect was a mistake (don't get cocky, right?). I cleaned up this ratty old chopped 1971 Bonneville and got to the point where it sat in the corner of the garage because I'm too stingy to throw money at it. Lesson learned: if you want to go vintage, be prepared to pay through the nose for it and wait a lot for parts availability.

I let the Bonneville go this spring for what I paid for it (minus the new parts). It was a loss but it gave me something to do while the world stopped and I learned a lot. It was fun doing an archeological inspection of a machine that was almost as old as I am.

What's next? I've never owned a new bike before. Following my shear perversity in terms of motorcycling, I'm tempted by a Moto Guzzi V85 TT. Partly because of the character, partly because I think they're stunning and partly because it's so not everyone else.

I noticed the other day that the blog has passed a million page views. It took since March of 2013 (when I started riding) to pull it off, so that's just over 11 years, but a million is a bigger number than most people can conceive. Over the 4083 days this blog has been up it has averaged over 250 page views every day, which feels good. It provides information for people looking for details on some of the mechanics I've tackled, and it also gets good pickup on travel stories and bike tech. I'm hoping more travel stories are in the future.

Another story that popped up recently was the ride around Vancouver Island ten years ago. That would be the first time I rented a bike while away from home. It led to the Island Escape story in Motorcycle Mojo. What isn't mentioned there is that prior to my wife's conference we also rented scooters and went for an adventure to Butchart Gardens in Victoria.

More travel opportunities like that, or Max and I's ride through the Superstition Mountains in Arizona, or down to the Indianapolis MotoGP race would be fantastic, it's difficult to find the time though.

The other day I thought I'd get into the throttle controls on the Tiger and clean and lubricate all the bits (if you read this regularly you can guess where this is going). Everything plastic on this 21 year old bike is brittle and yep, the throttle cable adjuster broke. I've jury-rigged a solution, but like everything else on this bike, finding parts is becoming 'vintage difficult and expensive', even though it's anything but.

My biking decisions might be made for me if we decide to move. If we downsize into a condo or something without a garage I'd be tempted to clear the deck and get something new. At that point having something that someone else has to work on while it's under warranty would make sense. I don't know how long I'd be happy with no working space, but perhaps I'd end up getting in with a shop coop and having some space in a shared garage somewhere. My approach to motorcycling is quite isolating. A change in circumstances might be a good thing.

If every time I touch the Tiger to do maintenance (it needs regular TLC) the parts crumble in my hands, I don't know how much longer I can keep it going. I'd really like to get it to six figures but beyond that I'm not sure - perhaps turn it into modern art?

I'm still also keen to pursue trials riding and perhaps long distance enduro with an eye for finishing rather than beating up machinery to attain top speeds. I'd do track days but I live in Ontario, which doesn't make access to things like track days easy in a any way. Likewise with the off roading. It's about, but it's sporadic and they make it as difficult as possible. Living somewhere else might open up motorcycling opportunities that feel out of reach here in the overcrowded world of South Western Ontario.

Motorcycle Gear as a Pre-Game Ritual

Long before I got into riding motorcycles I discovered ice hockey as a new immigrant to Canada.  I played whenever I could from backyard rinks to 5am practices to driving miles for games on evenings and weekends.  The smell of a hockey rink is a happy one for me, as is the process of getting ready for a game.  For many years I played net, which involved putting on over 70lbs of gear each time (this was back in the day when it was made with leather and bricks rather than the fancy space-aged stuff they have now).

I enjoyed getting to a game early and made putting on the gear a pre-game ritual.  It gave me meditative time to get into the zone before I had to peak-perform.  Perhaps this is why, when I saw this question on Facebook, it took me by surprise:

My ride starts when I go out into the garage and start putting the kit on.  This isn't tedious, it's a chance to echo all those hours spent in cold arenas getting ready to lay it all out there on the ice; it's an opportunity to put on my game face.  I never end up on the bike out on the road half paying attention or thinking about something else because putting on the kit is a integral part of getting ready to ride for me.

I don't know about a different person, but I am a focused person.  Here's the MotoGP video.

Getting my gear on builds a sense of anticipation, so the idea that this might be tedious feels very foreign.  How can you be bored when you're preparing to do something awesome?  Robert Heinlein gives a good description of the feeling in Starship Troopers:

I always get the shakes before a drop. I’ve had the injections, of course, and hypnotic preparation, and it stands to reason that I can’t really be afraid. The ship’s psychiatrist has checked my brain waves and asked me silly questions while I was asleep and he tells me that it isn’t fear, it isn’t anything important—it’s just like the trembling of an eager race horse in the starting gate.

Perhaps riding a bike for you is a flipflops, t-shirt and loud radio half-paying-attention kinda thing, but I take my riding a bit more seriously.  Every time I'm able to get out onto a bike it's worthy of my full attention, every time.  Making sure I've got the right gear is an integral part of that, but so is the opportunity it provides to cultivate a strong mental riding game.

Back in 2015 we rode down to the Indy MotoGP round.  Helmets are optional down that way and we went out once to pick up dinner just up the road without helmets, and it just felt wrong.  The right kit means you can ride longer without getting wind or sunburned and can even make you more comfortable than free bagging it.  Once you've got that approach, trying it the other way just feels wrong.

The gear makes the rider angle also means you don't buy the cheapest junk you can find to check a box.  I've spent years honing my gear so that when I put it on it fits, feels right and does what I want it to do.  I started off cheap but soon found that if you spend a bit more you get the kind of quality that makes the extra outlay worth it.  You can sometimes save money getting quality things second hand or on sale, but it's false economy to get cheap gear and then expect it to work.  If you get quality ventilated kit for the summer, it can keep you cool while keeping the sun and wind off you.  If you get properly insulated gear for cold weather riding, you can sail for hours in temperatures approaching freezing.  Good gear makes you superhuman.

Helmets are especially important.  I'm partial to Roof Helmets because they're of high quality and are an advanced, modular design that lets you change from a fully safetied full face helmet (lots of flip ups are only safetied as open-face helmets) to an open face 'jet' style helmet with a quick flip.  They're aerodynamic, quiet and ventilate well.  I've tried many different lids, including a dalliance with that beaked adventure nonsense, but (for me) a helmet that lets me feel wind on my face quickly and easily (I can flip it up when passing through a town then be back to full face comfort again in seconds without stopping) was what worked.  Getting into kit that feels this right and is well made is all part of the pre-ride ritual and is no hardship.

I frequently see people out on bikes that are wildly unequipped.  They're usually the cruiser-Captain Jack Sparrow types who are into riding for style rather than, um, riding.  The bikes they tend to ride aren't really into going around corners (or much else) and their riding gear follows suit.  If that's your kind of motorcycling then you're probably not reading this anyway.

If you're curious about sports psychology and how it might serve your bikecraft (assuming you see riding as a sport that demands practice and focus to improve your performance), there are a lot of links below on getting in the zone, peak performance and pre-game rituals.  Pre-ride rituals work the same way, giving you a chance to clear away the clutter and get your head on straight.

If you watch any motor racing you'll be aware of pre-race rituals that many riders adopt.  Valentino Rossi was famous for his pre-race contortions, and those are only the visible ones!  Doing this sort of thing looks eccentric, but you do what works for you in order to get yourself into a peak performance mindset.  The amazing things you see athletes do don't happen without mental preparation.  Riding your bike well won't happen without it either.  Don't get frustrated at putting your gear on, use that time to get yourself into the zone for your ride.

LINKS

Sports Psychology:

https://gladiatorguards.com/the-psychology-of-sports-equipment-how-does-gear-affect-your-team/

https://www.theguardian.com/science/neurophilosophy/2011/oct/24/psychology-neuroscience

https://www.youthsportspsychology.com/youth_sports_psychology_blog/when-sports-kids-feel-equipment-is-safe-their-confidence-increases/

https://www.betterup.com/blog/sports-psychology

https://www.billyhansen.net/pregame-meditation

Getting in the Zone:

https://www.inc.com/jessica-stillman/3-tricks-to-help-you-get-in-the-zone.html

https://www.peaksports.com/sports-psychology-blog/mindsets-to-help-athletes-perform-in-the-zone/

https://drstankovich.com/tips-for-athletes-looking-to-get-in-the-zone/

Peak Performance:

https://theathleteblog.com/peak-performance-mindset/

https://www.apa.org/education-career/guide/subfields/performance

Take advantage of pre-game routines:

Athletes stand a much better chance for getting in the zone when they make it a point to engage in a pre-game routine that allows them to think about the upcoming game, elevate their mood state, and lower their negative anxiety.

https://www.peaksports.com/sports-psychology-blog/how-a-pregame-routine-helps-athletes-succeed/

https://thevarsity.ca/2019/01/15/the-power-of-pregame-rituals/

Moto Specific:

https://www.motorcyclistonline.com/valentino-rossi-motogp-rituals-from-circuit-of-the-americas-austin/

https://www.motogp.com/en/news/2018/01/18/racing-together-superstition/248214

https://www.pinkbike.com/news/racing-pre-race-rituals-traditions-and-rules-2015.html

https://www.worldsbk.com/en/news/2022/Rider+rituals+how+do+WorldSBK+competitors+get+ready+for+a+race

https://www.asphaltandrubber.com/racing/motorcycle-ritual-motogp/

https://www.motosport.com/blog/motocross-superstitions-rituals-10-best

Happiness is: Mastery!

 Sometimes the on-bike cameras in MotoGP capture a magic moment.  In this case it's Sam Lowes knocking out a fastest lap in free practice before qualifying at the Doha GP in the spring of 2021.

Sam Lowes putting in a fastest lap at the Doha GP in the spring of 2021

Doing something difficult that you love well is one of the foundational ideas behind my own motorcycling.  The glint in Sam's eye there as he blasts down the straight approaching 300kms/hr is magical.  You don't get that kind of intensity when you're being leisurely, it only happens when you're using all of yourself to do something difficult well.

Wayne Gretzky's dad replied to a reporter who described Wayne as a natural by saying that
he wasn't a natural at all - what Wayne Gretzky did was be out every day, stick in hand,
playing hockey more than anyone else: his mastery was hard earned but based on his
love of the game.  You can see that love in the glint in Sam's eye!

WOMBO.ART: How AI generated art offers insight into motorcycle marketing

Wombo's a rocket ship!

I teach computer technology in my day job and I've watched the coming of artificial intelligence over the past decade with interest.  AI and machine learning is getting better at managing real world data like visual information.  Recently, a Canadian company named Wombo have created an abstract art creation tool that builds original images from some key words and a selected art style.  This AI art generator offers some interesting insights, especially in a world where branding is everything (such as in motorcycling).

Wombo (https://www.wombo.art/) is easy to play with - just throw some key words in and pick a style and you get an original piece of abstract art.  If you run the same information it comes out different each time too.

So, what to throw in first?  Valentino Rossi, of course - he's front and centre in many motorcyclist's minds this fall.  

The machine intelligence putting this together has scanned every image it could find of The Doctor.  It creates its own contextual understanding from that massive dataset.  It doesn't understand who Valentino is (though it might have scanned articles about him for keywords and have used that too).  These randomized but thematic pieces makes some interesting inferences.  Firstly, Valentino means high-vis yellow... and Yamaha blue.  This begs the question: "what were Yamaha thinking sending Valentino off to retire in teal and black?

Perhaps my favourite part of this piece is the obvious Doctor's Dangle happening.  The dangle was started by Valentino around 2005.  It's still a bit of a mystery how it makes you go faster, but I suspect it offers a bit of fine tuning on your balance under heavy breaking while also offering a bit more wind resistance to slow you down.  Wombo's algorithm won't know any of that, but it knows to associate the dangle with the man who invented it.  At least it did this time, every other time I tried a Rossi image it wasn't there.

The Rossi implications got me thinking about how a machine intelligence sees a brand... and what interesting conclusions you might draw from it.  Ducati got the first swing at it since they're such an iconic brand:

The colours certainly shout Ducati, and while the motorcycle isn't obvious, there is something about the lean that suggests two wheels.  If someone who'd never heard of Ducati were shown this, I suspect they'd consider it a sporting brand rather than something else like a heritage focused company.  I think they'd be happy with that.

I then threw Triumph into the mix:

Not sure what to make of that one!  Triumph's long history before its resurrection must make for interesting texture in the data.  This looks very art deco and feels like 50s and 60s advertising might have inspired it.  Once again, the idea that Triumph is tied to motorcycles is evident in the edges, especially the one middle right.

Just now I did two more "Triumph Motorcycle" renditions:

I still see bikes (but then I tend to see bikes).  There is a sense of speed in how the designs depict the abstract objects.  I can't help but wonder if the colour choices aren't from actual bikes.

Here's one for MotoGP:

I can almost see Marc Marquez and Valentino Rossi in that.  It certainly contains a feeling of competition and speed.  Does the machine intelligence know who Marc and Valentino are?  Is this an echo from Sepang in 2015?  I wonder if that'd make anyone wince in MotoGP's marketing office.

Wombo's AI art generator is easy to get lost in.  The images seem to speak in surprising ways.  If you've got a minute, go play with it.

3d Scanning a Motorcycle

 Using a Structure Sensor I 3d scanned a 2010 Kawasaki Concours14 and cleaned it up in Meshmixer:

Kawasaki Concours14 3d Scan by timking17 on Sketchfab

The Structure Sensor is an old generation 1 device and isn't as high resolution as I'd like, but it gives you a general sense of shape and proportions.  Meshmixer is free from Autodesk and does a good job of fixing up voids and missing bits in the scan.

This is the model in case you'd like to mess around with it.

Structure.io came out with a higher resolution second generation model that they offer a discount on if you send in your old one.  It might be time to trade up.  My dream is eventually to get a 3d scanner that is accurate enough to scan and reproduce old motorcycle fairings that are out of production in order to produce millimetre accurate OEM replicas to keep old bikes on the road with new plastics via 3d printing accurate reproductions.

The next step would be to scan a customer's fairings and offer customized options based on 3d modelling.  It would be relatively easy to reproduce high quality copies of fairings with some interesting variations in design.  Alternate cooling, MotoGP style wings and even craziness like a motorcycle fairing redesigned with dragon scales of made out of feathers are well within the realm of 3d modelling/3dprinting.

The customized fairing/3d printing direction hasn't been explored yet.  Accurate 3d modelling would also allow a micro-manufacturing concern to reproduce the old plastic bits that are wearing out on bikes from holders and brackets to dash pieces.  Because they're 3d modelled, this would eventually build a library of out-of-production parts that could keep a wide variety of bikes on the road.

I've been dreaming about this kind of digital forge/micromanufacturing company since 2015:  http://tkmotorcyclediaries.blogspot.com/2015/11/iihtm-digital-workshop.html

Disney's Big Hero Six garage is part of the inspiration:

Tech to Amplify Rather than Atrophy

I just finished Matt Crawford's latest book, Why We Drive.  This challenging read unpacks how we've backed ourselves into an intellectual dead end under tech driven surveillance capitalism.  Crawford comes at it from the big-tech push to colonize one of the last moments in our lives where human skill is tested and judged by reality rather than marketing expectations, vehicular operations.  Advertising companies like Google aren't trotting out self-driving cars for safety or efficiency (though that's the marketing), they're trotting them out so they can take all that consumer attention wasted on driving and advertise to it.  Even with this problematic impetus and misleadingly media spin self-driving vehicles are imminent and this leads Crawford to (quite rightly) question the intent of the companies pushing them.  The assumption that self-driving cars will somehow be  better for us is undressed in many ways in the book.

Seeing where Matt's head is at in 2020 encouraged me to reread his first book, the bestselling Shop Class as Soulcraft, which came out in 2009 in response to the market crash that everyone seems to have forgotten now as we're increasingly told we need austerity to pay back the predatory organizations who caused the debt in the first place. Running the economy is a good gig if you're one of the 'financial class' who maintain the fiction.  You can crash the market and make billions of people poorer and then profit from it indefinitely as you charge interest on the loans you handed out to 'solve' the crisis you caused.  It takes a special kind of stupid to buy into this.

Looking at Shop Class now years later it has historical context to it I didn't see in earlier readings where the response to the market collapse wasn't as obvious.  Back then it was just timely.  One of the themes that follows Matt's thinking through all three of his books is his dislike of automation.  In Shop Class he talks about situated knowledge and the importance of having an intimate relationship with reality.  Fundamentally, Crawford believes this vital to human beings fully developing their abilities.  When we're devalued by monied interests into simplistic consumers we are unable to fully develop our human potential.  Surveillance Capitalists intent on monetizing every moment of everyone's existence for their own financial advantage have coupled with safety and efficiency movements in government and society to create a brave new world of atrophied people.

I've come at this digital prejudice from an educational technology point of view on Dusty World, but it bears examining from a motorcycling perspective too.  Crawford is a physicist and mechanical and electrical technician, but he seems to have drawn a hard line between digital technology and everything else.  It's probably an age related thing.  Matt's about five years older than I am.  As I was getting into early home computers and figuring them out he was already through high school and working in his trade.  I ended up heading towards IT because when I was working as a millwright I was the only one willing to take computer controlled systems on in a department full of older people who couldn't be bothered.

The idea that digital technology is opaque and unknowable is a continual professional frustration for me as a computer technology teacher.  Other educators, students and parents all buy in to this opacity even while they embrace information and communication technology in more aspects of their lives.  I understand the reluctance to make ourselves literate in this emerging technology, but if we're all going to use it I'd suggest we're all responsible for having at least a basic understanding of how it works or else we're going to all end up illiterate in a digitally powered world.

A bunch of smooth talking sociopaths have taken over the face of digital technologies, but I can assure you that Google, Facebook and the rest are not the limit of what digital technology can do for us.  Thinking that is dangerously reductive.  There was a time when the internet was newly birthed from academia and the people on it were exploring a new frontier rather than leveraging it in an Orwellian attempt to monetize our attention.  I'm a digitally literate person and I have no love for them, but I get the sense that Matt truly despises computing to the point of lumping any digital tech in with the sociopaths.  It's a hard distinction to make, though John Naughton does a good job of coaxing it out of author Shoshan Zuboff:

"While it is impossible to imagine surveillance capitalism without the digital, it is easy to imagine the digital without surveillance capitalism. The point cannot be emphasised enough: surveillance capitalism is not technology. Digital technologies can take many forms and have many effects, depending upon the social and economic logics that bring them to life. Surveillance capitalism relies on algorithms and sensors, machine intelligence and platforms, but it is not the same as any of those."

Another motorcycling angle to come at this from might be Neil Spalding's MotoGP Technology. This technical manual charts the evolution of the top prototyping class of MotoGP motorcycle racing over the past twenty years. These have been years of digital integration and management in terms of rule making and deciding how much of an influence computer assistance will have in the sport. Unlike Formula One, which many have suggested has gone too far down the technology path, MotoGP has evolved to focus on enhancing rider abilities rather than replacing them. Spalding mentions the estimate that F1 is an 80% car engineering 20% driver skill equation, where as MotoGP is the opposite. Marc Marquez winning championships on the third best bike would certainly suggest the humans operating MotoGP bikes matter more than the tech, and yet these are digital machines.

There is a point in the book where Spalding has to re-orientate the reader on how electronics work in MotoGP. Unlike what a consumer is used to, racing electronics have nothing to do with safety.  Their only intent is more speed even if it means more effort and skill is expected from the rider.  While everyone watching a race has only ever experienced electronic interventions (anti-lock brakes, traction control etc) as a safety blanket thrown over their incompetence, a racer only experiences them through the lens of performance.  Electronic intervention on a race bike make it more extreme and harder to ride.  That alone should make the true breadth of electronics and digital technology in riding a bit more clear.  They are only self-driving us because someone wants them to for their own reasons, not because the tech is inherently focused in that direction.

Crawford often speaks of the mechanical work he's doing on various machines, but mechanical work doesn't end where a computer is involved.  There are some parts of vehicular evolution where automation is a much needed advance.  Crawford does make a point of mentioning this, but grudgingly.  Reading Classic Bike Magazine a few weeks ago I came across a great article about Dr Desmo, Fabio Taglioni, the Ducati engineer who spent his career continually looking for advancements for the brand.  His quote about computer controlled fuel injection is much like a MotoGP team's fixation on performance rather than protecting a rider from their own incompetence and is yet another reminder that electronic and digital technology does not have to replace human agency but can in fact enhance it.

Sorting out the Triumph's fuel injection system
by finding a modified fuel map and installing
it on the bike's FI computer was one of this 
year's most satisfying repairs.

I like getting a bank of carbs sorted out as much as the next person, and sometimes I make a point of working on bikes without electronics to distance myself from what I do at work all week (mechanical repairs offer a more immediate kind of satisfaction), but I've also had great technical satisfaction from the hybrid mechanical and electronics repairs I've had to make on the Tiger.  I realize that electronics and computer based repairs are often out of the comfort zone of the home mechanic, but that's based on the kind of anti-digital prejudice Crawford carries through his philosophy.  If we could all get passed that prejudice perhaps we could reclaim the digital tools we've surrendered to the attention merchants.

It's critically important we don't romanticize old technology for the same reason we shouldn't romanticize previous time periods.  If you think the 1960s were some kind of magical time in human history odds are you're a heteronormative, neurotypical white male.  From the point of view of the vast majority of the people on the planet the nineteen sixties were fucked, and so was much of the technology we were using back then.  That time of excess and privilege has led us to the brink of disaster fifty years later.  Longing to go back to it or recreate it is a kind of insanity.

This is distinct from respecting culture and engineering from a certain time period when it showed us a better way forward.   I greatly enjoy working on older machines in order to keep that history alive, but if you're putting on rose coloured glasses that make you blind to the possibilities of today's technology then you're just as manipulative as the sociopaths who are destroying society for their own gain.

Crawford talks about technology that is locked and closed, like Mercedes without dipsticks to check your own oil, or electronics that are sealed to prevent 'tampering'.  Corporations are able to do this because people have been convinced that digital technologies are something they can't comprehend, but this is bullshit.  The companies offering to do everything for you aren't technology companies, they are advertising companies.  Ignore them and ignore authors who dismiss digital technology as inherently nannying.  Modern technology can just as easily be used to enhance human ability and force us to be smarter, stronger and faster as it can be used to make us stupid, docile and compliant.  The issue is the intent of the people peddling it, not the tech itself.

If I can't convince you maybe Kenneth Clark's angle in 1969's award winning documentary 'Civilisation' will highlight things:

Clark's concern is that automation plays to the hands of authoritarian regimes.  He couldn't see the emergence of multi-national corporations that we're now under the yoke of back in 1969, but he isn't wrong about automation playing to fascists.  Crawford shares the same concerns, and they're well founded, but one of the best ways to take back control for more people is to make them literate in the technology being used to enthrall them.

All that to say don't be afraid of the digital aspects of motorcycle maintenance.  This tech was made by people so you can figure it out, and in doing so you will also teach yourself to author the technology the attention tyrants are using to snow you under.  From that point of view of self sufficiency and understanding of technology Matt Crawford should be on board.

Long Way Up & Valentino: Rage Against The Dying Of The Light

My escape is usually to find some motorcycle media to get lost in but a theme this week in it was 'getting old', which is a tricky one to navigate.  I've started watching Long Way Up and seeing two of my favourite adventure motorcyclists getting old is difficult.  I got into Long Way Round and Long Way Down early on in my motorcycling career and they've saved me from many a long Canadian winter.  I'm up to episode four now and they've hit their stride and are coming close to their earlier trips, but watching everyone looking for their reading glasses and groaning as they saddle up has been difficult to watch.

Many moons ago I read Melissa Holbrook Pierson's The Man Who Would Stop At Nothing.  In it she makes the startling observation that one day everyone realizes they're probably having their last ever motorcycle ride.  It's a terrifying thought that has come up in TMD before in For Whom The Bell Tolls.

Long Way Up happened because Charlie almost killed himself and it prompted Ewan to reconnect with him again after they'd drifted apart when Ewan moved to the US.  Maintaining friendships among men as they age seems to be exceptionally difficult these days.  I recently worked on a charity program for The Distinguished Gentleman's Ride that considered ways to keep men socially connected as they age.  Speaking from personal experience, getting older is a lonely experience.  Men seem uniquely suited to doing it poorly in the modern world.  As I watch the boys figure out their new fangled electric bikes and work their way out of deepest, darkest Patagonia it's nice to see the power of travel and challenge bring back some sense of their former selves, we should all be so lucky.

Harley Davidson's involvement in the program has been fascinating.  I can hand on heart say that I've never once had the remotest interest in owning one of their tractors.  I don't like the brand or the image, but what they did with Long Way Up was daring in a way that KTM was incapable of being way back when they did the first one in the early naughties.  I admire that kind of bravery, especially when it's with such untested technology.  Harley's willingness to chuck an prototype electric bike at Long Way Up is even braver than BMW's has been in previous trips where they provided the measure of long distance adventure travel that had been evolved and refined over decades.  Even with all that evolution those BMWs sure did seem to break down a lot.  That the Livewires the boys are riding appear to be doing so well managing freezing temperatures and doing long distance adventure travel when our battery technology is so medieval makes me wonder why The Motor Company clings so tightly to its conservative cruiser image, they could be so much more than big wheels for red necks.  If I had the means I'd drop forty large on a Livewire tomorrow (I'm a school teacher, there ain't no forty grand bikes in my future).

Between acclimatizing myself to the reading glasses and stiff joints of the Long Way Up I also watched the Barcelona MotoGP race.  Valentino Rossi is an astonishing 41 years old and still a regular top ten finisher in this young man's sport.  He managed his 199th podium earlier this year and looked like he was on track to hit 200 podiums in the top class this weekend when his bike fell out from under him while in a safe second place.  It was tough to watch that opportunity fall away from him after he lined everything up so well, but old muscles don't react as quickly, though Vale was hardly the only one to crash out of the race.  I'm hoping he can make that 200th podium happen, but it's just a number and if he doesn't, who really cares?  He's still the GOAT and will be until someone else wins championships on multiple manufactures across multiple decades through radical evolutions in technology.  He managed wins on everything from insane 500cc two strokes through massive evolutionary changes to the latest digital four stroke machines.  Winning year after year on the top manufacturer on a similar bike just ain't gonna cut it if you want to be GOAT.

Valentino just signed a contract for another year with one of the top teams (Petronas) in the top class of MotoGP.  He has battled against generations of riders who have come up, peaked and been beaten to a pulp by this relentless sport, and yet he still seems able to summon the drive and discipline to compete at the highest level.  If that isn't Greatest Of All Time inspirational I don't know what is.  I suspect Charlie Boorman might empathize with him.  Charlie's another one who doesn't know when to stop, even when he probably should.  Watching him bend his broken body onto his bike in Long Way Up is also inspirational though it took me a few tries to see it that way.

This all reminds me of a poem...

Do not go gentle into that good night,

Old age should burn and rave at close of day;

Rage, rage against the dying of the light.

Though wise men at their end know dark is right,

Because their words had forked no lightning they

Do not go gentle into that good night.

Good men, the last wave by, crying how bright

Their frail deeds might have danced in a green bay,

Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,

And learn, too late, they grieved it on its way,

Do not go gentle into that good night.

Grave men, near death, who see with blinding sight

Blind eyes could blaze like meteors and be gay,

Rage, rage against the dying of the light.

And you, my father, there on the sad height,

Curse, bless, me now with your fierce tears, I pray.

Do not go gentle into that good night.

Rage, rage against the dying of the light.

                                                                  Dylan Thomas

Fucken 'eh.