Showing posts with label Charlie Boorman. Show all posts
Showing posts with label Charlie Boorman. Show all posts

Monday, 28 September 2020

Long Way Up & Valentino: Rage Against The Dying Of The Light

My escape is usually to find some motorcycle media to get lost in but a theme this week in it was 'getting old', which is a tricky one to navigate.  I've started watching Long Way Up and seeing two of my favourite adventure motorcyclists getting old is difficult.  I got into Long Way Round and Long Way Down early on in my motorcycling career and they've saved me from many a long Canadian winter.  I'm up to episode four now and they've hit their stride and are coming close to their earlier trips, but watching everyone looking for their reading glasses and groaning as they saddle up has been difficult to watch.

Many moons ago I read Melissa Holbrook Pierson's The Man Who Would Stop At Nothing.  In it she makes the startling observation that one day everyone realizes they're probably having their last ever motorcycle ride.  It's a terrifying thought that has come up in TMD before in For Whom The Bell Tolls.

Long Way Up happened because Charlie almost killed himself and it prompted Ewan to reconnect with him again after they'd drifted apart when Ewan moved to the US.  Maintaining friendships among men as they age seems to be exceptionally difficult these days.  I recently worked on a charity program for The Distinguished Gentleman's Ride that considered ways to keep men socially connected as they age.  Speaking from personal experience, getting older is a lonely experience.  Men seem uniquely suited to doing it poorly in the modern world.  As I watch the boys figure out their new fangled electric bikes and work their way out of deepest, darkest Patagonia it's nice to see the power of travel and challenge bring back some sense of their former selves, we should all be so lucky.

Harley Davidson's involvement in the program has been fascinating.  I can hand on heart say that I've never once had the remotest interest in owning one of their tractors.  I don't like the brand or the image, but what they did with Long Way Up was daring in a way that KTM was incapable of being way back when they did the first one in the early naughties.  I admire that kind of bravery, especially when it's with such untested technology.  Harley's willingness to chuck an prototype electric bike at Long Way Up is even braver than BMW's has been in previous trips where they provided the measure of long distance adventure travel that had been evolved and refined over decades.  Even with all that evolution those BMWs sure did seem to break down a lot.  That the Livewires the boys are riding appear to be doing so well managing freezing temperatures and doing long distance adventure travel when our battery technology is so medieval makes me wonder why The Motor Company clings so tightly to its conservative cruiser image, they could be so much more than big wheels for red necks.  If I had the means I'd drop forty large on a Livewire tomorrow (I'm a school teacher, there ain't no forty grand bikes in my future).

Between acclimatizing myself to the reading glasses and stiff joints of the Long Way Up I also watched the Barcelona MotoGP raceValentino Rossi is an astonishing 41 years old and still a regular top ten finisher in this young man's sport.  He managed his 199th podium earlier this year and looked like he was on track to hit 200 podiums in the top class this weekend when his bike fell out from under him while in a safe second place.  It was tough to watch that opportunity fall away from him after he lined everything up so well, but old muscles don't react as quickly, though Vale was hardly the only one to crash out of the race.  I'm hoping he can make that 200th podium happen, but it's just a number and if he doesn't, who really cares?  He's still the GOAT and will be until someone else wins championships on multiple manufactures across multiple decades through radical evolutions in technology.  He managed wins on everything from insane 500cc two strokes through massive evolutionary changes to the latest digital four stroke machines.  Winning year after year on the top manufacturer on a similar bike just ain't gonna cut it if you want to be GOAT.

Valentino just signed a contract for another year with one of the top teams (Petronas) in the top class of MotoGP.  He has battled against generations of riders who have come up, peaked and been beaten to a pulp by this relentless sport, and yet he still seems able to summon the drive and discipline to compete at the highest level.  If that isn't Greatest Of All Time inspirational I don't know what is.  I suspect Charlie Boorman might empathize with him.  Charlie's another one who doesn't know when to stop, even when he probably should.  Watching him bend his broken body onto his bike in Long Way Up is also inspirational though it took me a few tries to see it that way.

This all reminds me of a poem...

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
                                                                  Dylan Thomas

Fucken 'eh.

Tuesday, 28 July 2015

The Baffling Dual Sport Helmet Part 2

I've already taken a run at the design of dual sport helmets, but I've since seen a couple of other things that make me wonder why people cling to the MX derived big-bill look.  That giant visor seems intent on injuring you in an off, and I'm not willing to have my head pulled off just to look like an MX racer.


Online you quickly find a lot of conflicting advice about dual sport helmets along with some good insight:  

"All the street comfort in the world won't please you when you get to a dusty trail, you're hot, and your lid is a cramped, dust-filled mess and you're breathing hard and hot into your chin bar."


Ventilation seems to be at the heart of the big-chin bar in dual sport helmets, but you pay a price in aerodynamics.  The chin-bar I get, but I'm still baffled by the visor.

Arai recently came out with a new version of their street helmet and they go to great pains explaining how a smoother shell is less likely to catch on obstructions if you come off at speed.  Of course, there are a hell of a lot more obstructions if you come off at speed off road, but that doesn't seem to factor into dual sport helmet thinking.




Sure, visors keep the sun out of your eyes, but
 a good pair of goggles does a better job, so why
risk safety for mediocre sun protection?  You can
remove the visor and make your dual sport helmet
safe, though you won't look like a motocross star.
What do massive visors do?  They create a huge projection aimed in the direction you're going that begs to pull your head off in a crash at anything over walking speeds.

Back in the day when goggles didn't have the benefit of modern reactive lenses and toughness perhaps a giant bill was all you had to keep the sun out of your eyes, but this was, at best, a partial measure.  It resulted in you experiencing huge swings in brightness from sun in your eyes to shade over and over again.

We're well into the 21st Century now and lens technology has come a long way.  You hardly need a giant beak to keep the sun from blinding you any more, and a reactive lens offers you the benefit of less eye strain between shadows and blinding sunlight.

I got a free pair of cool looking steam-punk goggles with a helmet this year and was virtually blind in them when trying to ride in the sun, they were a disaster.  A careful shopping trip later I had a pair of goggles that allow me to ride in direct sunlight with zero distortion, no squint and excellent viewing in the shade as well, they even work well at night.  When wearing these goggles a bill is only a dangerous projection, it serves no function.

I was watching the Dakar Rally this year when this happened:



You have to wonder what it felt like when his face bounced off the road and tore that visor half off.  Arai's logic with their new R75 makes a lot of sense after seeing that, yet everyone on a dual sport or adventure bike wants to look like Charlie & Ewan, and so big billed dual sport helmets keep happening.

I'd love to see a leading helmet company like Arai offer the same kind of minimal projection/safety and aerodynamic benefit they talk about in the R75 in a well ventilated, dual sport ready lid, but form seems to come before function in the image conscious world of adventure motorcycling.

Duckbills everywhere...

Wednesday, 12 November 2014

Peaks & Aerodynamics


This might be a n00b question, but I'll ask it anyway:

Why do dualsport/off road helmets have those giant peaks on them when road helmets don't?

Do they serve some sort of purpose? I'd think having a peak that could catch on things when you come off would be a bad idea, and you'd come off much more often when you're riding off pavement, wouldn't you? 

Wouldn't having a big peak on a helmet catch wind and tire you out on the road as well?

I just watched Ewan and Charlie do their Long Way Round and noticed the big peaks on their helmets and wondered why they wore those when they could have had something more aerodynamic and safe.