Motorcycle Social Media

The online motorcycle community is a beautiful thing.  I've been following a number of people on Google+ who are into the two wheel craft, as well as Tumblr and Pinterest, and the more established social media platforms.  I'm a visual thinker, and being able to find images of bikes on these platforms really feeds my motorcycle aesthetic.  If you're into motorcycle design and aesthetics, these are good places to find ideas:

Pinterest:  a online graphic pin-up tool designed to share images.  Nice because it focuses on the visual, also nice because it is predominantly female, so you get a different vibe out of it when it comes to motorbikes (less pin-up, more motorcycle as art).

Tumblr: a bit more rough and tumble but offers an immersive graphics format and a staggeringly wide range of images including some very specific sub cultures of biking.  If you're into cafe racers, Tumblr doesn't disappoint.

Want something really specific, like motorcycle anime?  Ok!  Tumblr is also heavy on the animated GIF, so you get a lot of motion in your visual soup.

Google+: is more of an open social media platform, but in it you can find all sorts of motorcycle communities.  Motorcycles and technology, yep, there's a community for that.  Like Royal Enfields?  So do these people.  Want a motorcycle group with a worldwide focus?  Right here.  There you can hear Australians rail against their stupid government advertising.

Facebook:  Of course, you can find lots of motorcycle related material on Facebook too, I like it specifically for following motorcycle celebrities:

Think Nick Sanders is cool?  You can follow him across Asia live on Facebook (he's doing it right now).  


Are you a fan of Austin Vince?  He's well connected on Facebook where you can keep up with his latest work.

Think Guy Martin is the man?  His racing management team keeps you up with what he's doing on big blue.

You can find all sorts of local companies on there too.  If I'm going to get advertised to on Facebook I'd rather it be by local companies that I'm actually likely to shop at.

Facebook is also a good place to find motorcycle media updates.  Why We Ride is a lovely film, but they didn't stop there.  The Facebook site is a great place to find the latest in riding inspiration.


It might sound odd, but traditional media

still plays a big role in connecting me to online media.  Bike Magazine connected me to Greasy Hands Preachers and Rider connected me to my favorite motorcycle author.  Between traditional and new media, we're living in a motorcycle media renaissance, I hope you're partaking.  It feeds all interests from the most general to the most mind-bogglingly specific.

Dakar Dreams

I just finished this year's Dakar and it always starts the itch.  As a bucket list item it's well beyond my ken, but I still sometimes think about it.  The cost is in 1%er territory and a school teacher from Ontario isn't likely to find support from advertisers that would allow him to compete.  But hey, what's mid-life for if not your last chance to do the impossible?  The other day a buddy said, "you don't want to be sitting around when you're old wondering what you might have done."  Even an attempt at a Dakar would be special.  Finishing one would be a crown jewel in a life well lived.

In an interview during Charlie Boorman's Race to Dakar, one of the competitors says he does it because it's two weeks of singularly focusing on one thing, which he found relaxing.  Simon Pavey, Charlie's teammate, said he does it just so he doesn't have to do dishes for two weeks.  I get the angle.  Being able to singularly focus on something is a luxury few of us can afford.  Life is a series of compromises and multiple demands on our time.

I've been watching The Dakar long enough to not harbor any illusions about winning it or even placing well, but I would certainly hope to finish.  Having a Dakar finishers medal puts you in a very small circle of excellence, and toughness.  The people who know what it is would have mad respect when they saw it.

To get there you need to take on the almost religious piety of a professional athlete.  I'd give myself two years to get the experience and fitness levels I'd need to give it an honest try.  I know I wouldn't stop unless circumstances stopped me (I'm perverse like that), so it would simply be a matter of preparing as well as I could for it.  I turn 48 this spring, so I'd be doing a Dakar in 2019, the year I turn 50.  My goal would be to complete a Dakar and document as much of it as I could in the process.  From the beginning to the end I'd be making notes that would eventually turn into a book:  Mad Dogs & Englishmen: A Middle Aged Man's Dakar.

A Zero electrically driven Dakar Rally bike?  Yes please!

Maybe by then there would be an electric motorcycle that could manage the stages with quick battery swaps at the stops.  Maybe I should be asking Zero if they'd like to consider a Dakar run.  Being the first electric bike to finish a Dakar would be something.  Electric cars are getting there now.

Finding sponsorship with companies I already have a relationship with would be a nice way to make this attempt a more personal one.  Everybody runs KTMs, Hondas and Yamahas, but I'd love to ride a rally prepped Kawasaki, Triumph or maybe a CCM; all companies who have had an impact on my motorcycling career.  Getting some degree of factory and dealer support in that would be fantastic.

A lot of riders gopro their experiences from within the Dakar itself, but I think it would be cool to get some next level media out of the event.  Running a 360 degree camera would be a goal.  Having a small, agile, media production crew along who could capture drone footage and support the 360 footage from inside the race could eventually lead to an immersive video of the event that gives some idea of how it feels to be in the Dakar; an everyman's view of the race.  Dreamracer does a good job of this.  I'd try to emulate that approach with newer technology.  Since not a lot of Canadians participate in the rally, I might be able to drum up local support that other rally riders could not.

Deep winter, mid-life dreams about doing something impossible... all I'd need is an opportunity.

LINKS

Where to find your rally kit:  Rebel X SportsNeduro

Sample Dakar budget, another sample budget

A 2017 Dakar how-to video series by Manuel Lucchese

What Dakar riders wear article

Dakar advice on putting together an entry:

Before setting off in an active search for sponsors, it is important to define your project clearly by

answering the following questions:

Why am I taking part in the Dakar?
What are my motivations?
What are my objectives?
What are my assets in achieving those objectives?
What sort of crew do I want to set up?
What resources do I need to achieve this?
It is important to detail the various cost items in order to have a clear idea of your expenses (Vehicle preparation – Registration – Trip – Visas and passports – assistance vehicle(s) – mechanics registrations…) After this stage, you must have answers to the following four questions:

What is my budget?
How should I present it to my potential partners/sponsors?
What are my available funds?
How much should I ask for from my potential sponsors?
Your potential sponsors must be targeted : better to count on your relational, personal, professional or regional fabric rather than “major sponsors” who may be less inclined to support you. Make a list of your potential partners and characterise them:

What do they do?
Why would they be likely to help me?
What specific arguments should I put forward?
What funds do they have available?
Which companies should I see as a priority?
“Do not make mistakes in what you say or who you target”. There is no point in talking about your potential sporting achievements if you are taking part in your first Dakar! Your aim is to finish, not to be placed! So, assess what you say and in particular your media exposure: amateurs will be the subject of one-off reports, they are frequently mentioned in the local and regional media but do not promise the TV news or a daily sports newspaper!

Prepare a personalised dossier to present your project. This presentation must be clear, concise, persuasive and imaginative; it must make them dream of the rally but also convince them of your personal qualities.

You need to highlight your special features, your motivation :

What is original about your entry?
Why are you passionate about motor sports (and cross country rallies in particular)?
What previous experience do you have?
Consider presenting your sporting profile: draw inspiration from statistics on Dakar 2015. Put yourself into the rally: in terms of age, type of vehicle, number of entries, status (professional or amateur). Stress your nationality and your region! Identify potential media spin-off: media statistics can help you identify press, radio or even TV spin-off in your region.

Regional media are frequently looking for a potted history of amateur competitors; so do not hesitate to contact them and suggest an interview, your potential sponsors will only be more impressed!

Present your arguments to justify sponsorship:

To give out a good image of the company at local, regional or national level thanks to media spin-off. The company’s name (and/or one of its brands) is associated with your entry and the adventure of the rally.
To change or strengthen the company’s image internally. To advertise the company’s main values, the directors can use event sponsorship to motivate employees and/or associate the company with values such as courage, surpassing oneself, competition, human adventure,… which characterise the Dakar.
To build a relationship with their suppliers/customers. Sponsorship may be a way for one of your suppliers/customers to build strong links before or after the conclusion of a partnership.
To involve your sponsors indirectly in the adventure. The Dakar is a mythical trial in which everyone who is interested in motor or extreme sports will want to take part one day… These fans, potential sponsors, will be all the more inclined to help you in this challenge if they can live the adventure by proxy.
To enable the partner company to enjoy tax relief. Depending on the country, sponsorship offers tax breaks. Consider putting forward a small sales pitch to demonstrate these tax breaks according to the legislation in your country.

Highlight the benefits of financial support or support in kind :

Visibility of their brand/company name on your vehicle, your clothing, your helmet, your Leatt-Brace, your trunk, your assistance vehicles…
A free trip on a rest day or on arrival: for the most generous sponsors, a day at the rally is a weighty argument for those who want to taste the atmosphere of the Dakar!
Event organisation: exhibiting the vehicle before or after the rally, or a photo exhibition…
Finally, do not forget to…
Keep them up to date with your exploits during/after the rally (sell IRITRACK!)
Give them a DVD collection of Dakar articles, or a detailed press review, or a photo album to thank them.

Things You Want To Do In Your 40s

Work for myself so I don't have to work for some myopic middle manager more interested in climbing than doing the right thing?  Yeah, that'd be nice.  Work on something as hard as I can knowing that no one else can walk in on a whim and derail it?  That'd be nice too.  Challenge my technical skills and develop my diverse talents to new levels of excellence?  That'd be awesome.  Have the means to fearlessly explore technology and the world around us?  Brilliant!

$1.3 million doesn't sound like a lot of money but it would mean a thousand bucks a week until I'm 75 years old.  Somebody better at math and competent with investments could probably figure out a more accurate, lower amount that would do the same thing.  It's comfortably middle-class, but I don't really dream of being rich, I dream of being free from work to pursue my passions.  If I could pull that off what would I do with my time?  It's kind of like retirement, but I want to do it now while I'm still able to do something useful with it.  I don't think I ever want to retire.

Mechanical Sympathy would expand and become an
income stream of its own. It would be the centre of
an online media onslaught!

Here's what I'd aim at if I weren't busy pulling the plough:

MEDIA MAKER

Writer:  I'd exercise the English degree and write, but not in a specific genre.  I'd pursue motorcycle and travel writing more aggressively.  I'd be happiest freelancing and working once or twice a month on assignment with the occasional larger travel project which would lead to a book.  Lois Pryce is a role model.  While that wasn't happening I'd be writing fictional novels.  It would be nice to work for established publications, but developing my own brand online would allow for more control over what I'm creating.  I've been working in large bureaucracies for too long.

If it's new and technically challenging I'm into it. 
Having access to that kind of kit is exciting.
I like to be surprised by what new tech can do.

Photographer:  The goal would be to have the work pay for the gear, and the gear I'm looking for is pretty technical.  I'd like to have professional quality photo and video gear on hand, as well as technically challenging tools like aerial drones, full spectrum and 360° virtual reality cameras to test limits and produce original, even experimental work.  If it's new and technically challenging I'm into it, especially if it probably won't work the first time.

Digital Media:  Exploring digital media has long been an interest (I teach it now).  Having access to the latest tech, not to consume but to experiment and explore, would be fantastic.  Projects would include VR environment building in CAD and simulation, as well as immersive media creation.  I'm working on a VR research project in school at the moment.  I feel like major breakthroughs are currently happening there.  What we have in ten years will make our screen use today look archaic.

TECHNOLOGIST

I got into 3d scanning last year.  The resolution isn't
spectacular, but it's amazing what you can do with
a simple 3d scanner on an ipad.

Mechanic:  I've dusted off old mechanical skills with motorcycling, along with some long unused artistic urges.  Customizing motorbikes is an elegant way to combine left brained aesthetic creativity with right brained mechanical expertise; it's a whole brain hobby!  Having enough time, space and money on hand to chase down old bikes and see customizations through to completion would be grist for the writing and photography mill.

Digital Engineering:  I'm especially interested in micro-manufacturing using digital tools.  Multi-axis milling machines using CAD models offer new avenues into high-tech customization.  3d printers are making advances every day.  Being able to print my own fairing designs would be brilliant.  Being able to print my own designs with dragon scales would be even better.

An opportunity to borrow new technology and see what it is capable of would also be grist for writing and media creation.  If in the process I happened to get very good at producing customized parts, I'd lease the gear and get to it.  As prices fall on what was once expensive industrial grade equipment and digital management makes high tolerance production available to everyone, a new post-industrial age of customization will emerge.

Kawasaki's H2 supercharger impeller is a thing of beauty.

The technology that built it is becoming more accessible every day.

With table top laser cutters and various other digital tools becoming commonplace, the chance to explore these technologies without safety nannies hand wringing from above would be delightful.  The home garage of the future is going to be a magical place of customized, personal manufacturing.  It would be a blast to have the time and means to explore it.

I really do enjoy teaching, but the vampiric bureaucracies that manage it make working in education feel like giving blood; you're doing a good thing but you always come out feeling drained.  I'd happily take in apprentices on my own terms and genuinely enjoy helping them discover and develop their talents, I just wouldn't want to do it in an institution of learning.

One of the things I want to do in my forties is stop others from diluting my focus and wasting my time with their own mediocre expectations.

Motorcycle Media: short films, documentaries & time travel on a Friday night

Friday night had me home alone in the first time in forever.  After a rough week at work I was wiped and on the verge of a cold, so it was a low impact night.  I went looking for some escapist media and stumbled upon EXIF's Top 6 Best Motorcycle Films.  I'd seen Shinya Kimura in The Greasy Hands Preachers, but I'd never seen the film that set him out as a motorcycle media icon, it's just shy of three minutes of perfection:

Shinya Kimura: Chabott Engineering


Another one I hadn't seen before that does a great job of capturing a northern motorcyclist's winter dilemma is Waiting out the Winter.  It's a short video, but it sets the mood of tinkering while we wait for the snow to recede in the frozen north wonderfully:

Waiting Out The Winter

WAITING OUT WINTER from Andrew David Watson on Vimeo.

Those short films made a great appetizer, but I was looking for something a bit more long form.  If you're ever looking to pass a lazy hour or two in another time and place, Cycles South will take you to the early 1970s.  Like the '70s themselves, Cycles South looses the plot half way through, but discovers itself again before the end.  If you're delicate and can't handle the very non-politically correct sensibilities of the early 1970s, don't watch this, but if you can let it all go and are willing to exist in another time, Cycles South makes for a psychedelic road trip (man).  The whole thing is on Youtube in 15 minute segments, they connected together automatically with a few seconds of delay between, mercifully commercial free.

Google/Youtube lost its mind after I watched the series in order and started shooting motorcycle themed video at me from all directions.  Next up was Fifty Years of Kicks, a twenty minute documentary about two off road motorcyclists well into their seventies.  I wasn't initially hooked, but the quality of filming and the narrative they were building had me after a few minutes.  There is something about watching old guys fight the clock that is heroic.  It makes me want to celebrate any small victories they have before the inevitable happens.

Looking for something on the history of motorcycles I came across The History Channel's documentary on Youtube.  It's a bit wiz-bang flashy and over edited, but you get some Jay Leno, and the jet powered Y2K.  When they went from that to some Dodge Viper powered thing I began to think this was less about motorcycles and more about bored rich people.  I didn't get to the end of this one.

Have you ever wished you had an old, British uncle with an encyclopedic knowledge of motorbikes who would natter on about them indefinitely?  I was afraid Classic British Motorbikes: 100 Years of Motorcycling was going to be an advertisement for a dealership in England, but the big green Triumph Tiger in the opening moments kept me playing it.  This video takes place sometime in the early two thousands (hence my model of Tiger sitting in front of the dealership).  The idea was to invite in classic bikes and celebrate 100 years of motorbiking in Britain.  The camera work is amateur, as is the interviewing, but you'll still pick up a lot of history from the owners and the knowledgeable interviewer.

I watched until he interviewed the owner of the dealership who seemed entirely disinterested in the whole thing and was apparently running the family business because of his dad's love of bikes.  He made a stark contrast to the enthusiasm of every previous interview.  If you're interested in British bikes and especially their history, you'll enjoy this one (with a bit of fast forwarding).

It's amazing what motorcycle media you can dig up on the internet with a bit of luck.

There Are These People Called 'Hipsters'

Hipsters with their coiffed hair and well tended beards (even the women)
ride their Scramblers to interesting places

I've been reading the somewhat baffled traditional motorcycle media's reviews of the new Ducati Scrambler. With few exceptions these articles are being written by Baby Boomers who find the idea of "hipsters' to be very mock-worthy. That Ducati is aiming the Scrambler at a younger audience really seems to get up the nose of Boomers, who are used to everything being about them.


Being a Generation Xer I'm skeptical of any kind of social organization and assume nothing is ever about me, but I also find that I have more culturally in common with other people of my generation than I do with any other social distinction (race, class, education, religion, politics, citizenship...). When living in Japan the GenXers we met had so many shared experiences with us that we just fell in together; the times in which you find yourself define you. If you're looking for a review of social organization by birth cohort (generation), then this piece by The Social Librarian will catch you up. See if it doesn't do a decent job of describing your people.

I'm not sure why people can't treat generational differences in the same way they treat cultural differences. You'd be a big jerk if you decided to travel around the world and spent all your time talking about how every other culture is stupid compared to yours, yet people don't seem to hesitate when doing that about other generations. That Baby Boomers, themselves once torn apart in the media because of their newness, are now having a go at hipsters shows just how bad their memories are getting as they age.

At 3:16 you get a good look at how the media

inflamed this situation rather than reporting it

accurately. You'd think Boomers would remember...

As a bald forty something who can't grow a nice beard, I still find that I enjoy hipster bike media even though I could never pull off the look...

If Hipsters make beautiful films and love riding,

then I think I'm a fan...

According to the urban dictionary, hipsters "value independent thinking, counter-culture, progressive politics, an appreciation of art and indie-rock, creativity, intelligence, and witty banter." What's not to like about that?  Unless you're a cranky, old, conservative, Boomer motorcyclist who thinks that the pinnacle of motorcycle evolution is a Harley Fat Boy, you'd have to think it delightful.

Beards, hair product & old bikes...

Hipsters are one of the primary movers of the café racer resurgence. They enjoy looking back before the neo-liberal globalization that Boomers have brought us, I can get into that too.

Given a choice between hanging out with a bunch of Harley Boomers at a Tim Hortons or a group of Hipsters at an artisanal beer bar/gastro-pub, I know where I'd head.


I'm left thinking maybe motorcycle magazines need to diversify their writers instead of hiring all the guys they went to high school with in 1970. Maybe then anyone other than a Boomer might get a fair shake in print. In the meantime, go Ducati, go!  A successful Scrambler means all those traditional, conservative motorcycle magazines will have to update their staff (maybe even hire someone born after 1965!), or face irrelevance.

The world moves on. Enjoy hipsters while they're here, soon enough they'll grow up and sell out like everyone else has (some first-class GenX skepticism there, eh?).

The desperate attempt to pry motorcycles from the well manicured hands of the hipster is ongoing...

Digital Motorcycle Reading

I just finished Nick Sander's Incredible Ride on an ipad mini and really enjoyed the experience.  The integrated digital media in the ebook drew a different picture of that trip compared to just a written narrative.  It wasn't always better (as deep and developed) as a well thought out narrative piece of prose but it offered an interesting reading experience in a different way.

I've tried reading digitally before with older ipads and other tablets but have been unsatisfied with the quality.  The Retina display on this Mini is a revelation though, it has better screen resolution than my 15" laptop; it's so sharp and clear that it's shocking!  I also find my eyes don't get tired reading off it (perhaps as a result of that clarity).  With all that in mind I started thinking about alternative ways to read my motorcycle media.


My Cycle Canada subscription is coming to an end and I want to renew, but I think I might go digital.  I'm also keen to get into Bike magazine and Adventure Bike Rider magazine, both UK titles that cost me $13+taxes a pop when I find them in a local store.  Rather than get stuck into another year of dead trees I tried reading digital samples on the ipad Mini.
  

Bike Magazine showed the multi-media possibilities of a digital magazine.  The embedded video and layers of information available in the digital copy were fantastic.  The high resolution images on that Retina display were jaw dropping.  There is no doubt the digital copy is the way to go, and at £48 for a year (£4/$7.40CAN per issue) it's a much better deal than the $15 with taxes I'm paying at Chapters for a paper copy.

ABR is an even better deal.  Instead of $15 an issue in Chapters I'm looking at £20 ($37CAN) for a year with access to all back issues.  I'm going to check out its digital content, but if it comes anywhere close to what Bike is doing then it too will be a no-brainer.

Cycle Canada was a bit more basic.  The online sample said it wasn't at full resolution, so it expects me to commit to digital without knowing what it will look like, which seems a bit weak. 

The only downside to the digital copy is that I can't settle into a hot bath with an ipad.  Maybe I'll re-up Cycle Canada on dead trees for a while longer so I have an amphibious option.

If you've tried digital and not liked it give it a go with Apple's Retina display, it might surprise you.  The additional depth and media you get from the digital copy only seals the deal.

Motorcycle Media Review: Itchy Boots Vlog and Social Media Supporting Professional Travel

I can't say I'm a big fan of the YOOTOOB.  I make a point of not reading the comments because they're some of the most asinine on the internet, but something caught me recently and now I"m a regular watcher.

Noraly Schoenmaker started a video blog called Itchy Boots in 2017 and has been a professional traveller ever since.  She has ridden tens of thousands of kilometres on a variety of bikes on many continents:

Noraly hits all the social media portals, so you can find her Instagram and elsewhere, but YouTube is where she video-blogs and what got me hooked was both her personality and her technical expertise.  I can't stand YouTube videos for all the preening and wasted time telling me shit I don't care about.  Trying to watch a how-to video on TOOB is infuriating and ends up with me giving up and trying to find the information elsewhere.

You don't need to worry about any of that with Noraly.  She edits tight and even her music and post-processing work has a professional sheen to it.  It plays at least as well as Long Way Up or another big budget stars-on-bikes production, but it's all just her.  The fact that she's festooned with GoPros and has her audio properly balanced while even throwing in drone footage has me loving the technical proficiency; this is travel video as it was meant to be done!  Even the music's good!

She was in South America when COVID kicked off and ended up getting repatriated to the Netherlands where she attempted to keep travel blogging from home, but you can imagine how that went.  If, like me, you pick this up with her deciding to press on regardless of COVID, you'll start season 5 with her getting herself sorted out and going to South Africa:

As a cure for the COVID travel blues, this is pure gold.  She finds herself a bike in Jo-Berg and before you know it you're with her on South African dirt roads seeing an amazing menagerie of spectacular wildlife in surreal scenery.  If you've missed travel, this'll immerse you in it again in an intimate way.

I had a moment last year in the first lockdown where I was in Google Earth in VR on the Cape of Good Hope in South Africa trying to remind myself that the rest of the world was still out there.  I had a jarring moment when the sign on Google Earth said that the park might be closed due to COVID.  Not only is the world out there, but it's covered in COVID.

Noraly might be taking a risk, but travelling around the world solo on a motorbike is risky and if we only let risk dictate our lives then what tedious and barren lives they'd be.  If you feel the pull of the nomad inside give Noraly's vlog a watch, I betcha you'll get hooked.

Motorbike media bits and pieces...

I came across some motorcycle media recently that is a nice diversion if you're suffering from PMS.

Eatsleepride.com has a series of motorcycle short documentaries that will keep you rolling on two wheels, even if it's vicariously.

The Women's Motorcycle Exhibit video led me to the site;  much better than the floozy on a bike photography you usually see.  There is nothing sexier than a strong, capable woman riding a bike (as opposed to a skinny model draping herself on one).

The other shorts were all new to me except for Long Live The Kings, which has since spawned The Greasy Hands Preachers.  The reviews for that film have suggested that it's a shallow but pretty look at current motorbike customization trends.  I was hoping for something that plumbs the depths like Matt Crawford's Shopclass As Soulcraft (a must read),  but it evidently isn't that, though I'm still looking forward to seeing it.

I also found Brittown, a documentary about Meatball, a master mechanic and Triumph motorbike connoisseur out of California.  It's a genuine look at a genuine fellow.  You'd be hard pressed to find any hipster bullshit in this video.

I also completed the set.  Having already seen Faster and Fastest, I was finally able to see The Doctor, The Tornado and The Kentucky Kid, the middle Motogp video in the trilogy.  It's a close look at a single race at Leguna Seca.  The phoned in interviews are a bit low-rent, but the drama is as engaging as ever.  If you want to get into Motogp, these videos will give you the background you need to get right into next season.

In the meantime, the mighty Austin Vince put out Mini-Mondo, another motorbike short (poem!) that (hopefully) gets you out on two wheels and seeing what's around you:

We're buried in snow in mid-November and thoughts of riding are weeks behind me now, but at least the media I'm finding keeps the two wheel dreaming alive.

Lyndon Poskitt and an inside look into the 2018 Dakar Rally

If you're new to the Dakar Rally and you love motorbikes, I've got a way in for you. 
Lyndon Poskitt has raced in the rally a couple of times now but this year he has raised the degree of inside media coverage to a new level.  If you follow his site you should get daily inside looks into what it's like to ride in the toughest class (Malle Moto is only the rider with no support crew doing everything from maintenance to navigation to riding over thousands of kilometres for almost two weeks, alone).  Riding a motorcycle in Dakar is the hardest thing you can do.  Some bike riders retire onto four wheels as they get older, but the bikers are the hardest of the hard core.

Lyndon's media crew made an hour long documentary that reviews his race from last year.  It introduces you to both the sheer physical exertion, luck and talent, both technical and riding, that is needed to get through the race as a malle moto rider.  After watching this it'll seem nearly impossible, but Lyndon's back at it again this year.

You get a bit of background on Lyndon from the video.  This isn't a rich guy playing at racing.  Lyndon's magic power is being a mechanical engineer.  His mechanical sympathy and technical talent allow him to prepare his bike as well as any mechanic would.  For the past couple of years, since a near death experience, he has been riding around the world participating in races and rallies as he goes.  He has sourced all his own support for this.

The Dakar is the mother of long distance rallies.  It used to run from Paris, France to Dakar, Senegal in Northern Africa back in the Twentieth Century.  The BBC made a great documentary about it called Madness in the Desert, if you're interested in a detailed look at how the Dakar started.

Political instability in Saharan Africa moved the rally to South America in 2009 after decades of running from Europe through the desert to Dakar.  The move didn't make things any easier.

If you enjoy motorsport and watching people pushed to the limits of endurance and skill there is little that approaches it.  While there are many factory riders and teams on their fully funded rides, the Dakar always has a healthy bunch of privateers racing, so it doesn't seem like the millionaire's club that a lot of motorsports do.  There is something very genuine about the Dakar.

If you're interested in other forms of motor racing beyond bikes there is everything from quads to cars to massive trucks.  None of it is easy and all of it challenges competitors with thousands of miles of racing through every conceivable ecosystem, from jungles to Altiplano to desert dunes.  This year it's running from January 6th to 20th.


LINKS

Follow the Dakar on Twitter.  On Facebook.  On YouTube.  Carlton Kirby on Twitter (my favourite announcer on the race if you can find him on Eurosport)

Countdown to Dakar.

Dream Racer:  another great documentary on privateering in the Dakar.

Last year's Dakar:  A Dakar with teeth!

Ever wanted to get old knowing you did something exceptional while you still could?  Dakar Dreams...

n00b's guide to Dakar.

The deadly Dakar.

Rally Raid Network:  Countdown to Dakar

If you're interested in helping out Lyndon's efforts, you can do so here:
https://lyndonposkittracing.com/donations/lyndon-dakar-media-2018

Around The Bay: Part 5, motorcycle media from the trip

The story told in a photo is told as much by the viewer as it is
by the photographer, and it's non-linear.

Since I was solo on the circumnavigation of Georgian Bay I brought along some gear to capture the moment.  I prefer photography.  I think a good photo is an entire world you can get lost in, and unlike video it isn't forcing you to follow along frame by frame.  In a photo you're free to wander with your eyes in a non-linear way.

Having said all that, I brought along some video gear to try out on this trip.  I'd love a GoPro, but since they cost almost as much as my bike did, I got a cheap Chinese knock-off instead (and a cheap knockoff it is!)  The Foscam AC1080 takes fantastic video (full 1080p) and decent photos (up to 12 megapixels), and at only about $140 taxes in, it's less than 1/3 the price of a GoPro.  Where it falls apart is in the fit and finish.  In a week of what I'd describe as gentle use for an 'action camera' the buttons never lined up right with the unit inside the waterproof case (I ended up having to remove the camera to start and stop it), the case itself was so rickety it would just blow over in the wind (the GoPro has a ratchet in the stand that locks in position, the Foscam is just a plastic screw), and the case itself snapped at the base after only a few uses.  It also gets uncomfortably hot when it recharges.  I have some concerns about the physical capabilities of this 'action' camera.

The Foscam takes nice stills too, when it takes them.

The other shaky part of the Foscam is its operation.  You can start it up and it'll stop again for no apparent reason (though this might have to do with convoluted options buried in menus).

You might think the GoPro lacking in options, but it has very streamlined operation and always gets what you're filming (which is vital in action video), and it does it without an LCD or menu options buried three deep.

The Foscam also saves in a .mov file format which Sony Vegas seems determined not to render properly.  If you can get past all that frustration you can get some very nice video out of the Foscam:

... and you can find you've got nothing because it shut off just when you were about to do a one time thing:

A quick video of the boarding of the Chicheemaun ferry in Tobermory - why did I take it from the Olympus Camera around my neck?  Because the Foscam shut off for no apparent reason just as we were about to board.  But hey, when it works it makes nice pictures.

The go-to camera was my trusty Olympus Pen.  This is the best camera I've ever owned - a micro SLR with swappable lenses and full manual control.  It also takes video in a pinch.  This camera punches well above its weight.  If I were to pony up for something better, it would be an Olympus OM-D that takes the same size lenses, and then go on a lens hunt for some macro and telephoto madness.

Also on this trip I brought along a Samsung S5, which takes nice pics and decent video.  Smartphone cameras have gotten so good that I don't think about point and shoot cameras any more, they are redundant.  My only regret is not picking up the bonkers Nokia Lumia 1020 with it's massive camera built in, but then Telus didn't have it.

I'm not really through with the Foscam yet.  Once I've got it worked out, hopefully I can still use it to get some quality video off the bike.  The other day we were out for a ride so I decided to focus on getting some audio instead.  Yes, riding a bike really is as fun as this sounds.  I'm going to look into making some finer audio recordings to catch the sound of riding, it's a different angle on motorbike media.

Over the summer I plan to look into more advanced 3d modelling and micro-photography as well as maybe some drone work.  I'm looking forward to pushing the limits with motorbike media creation.

LINKS

Google Album: photos from the trip
Google made a story: Google Photos auto-arranged pictures from the trip into scrapbook.