Adventure Biking

An epic journey with
an epic budget

I'm over a year into the habit now and my biking interests continue to evolve.  One of the things that got me started was Ewan and Charlie's Long Way Round.  When looking for my first bike I was all about the adventure bike.  The idea that I could ride to Borneo or the Andes was pretty enticing.  A bike that could go anywhere and do anything seemed magical.

Look at me and my friend
Ewan on our big bikes!  It's
hard not to get taken in by
the image.

It turns out it is magical.  You give up a lot of physics to have a tall bike with knobbly tires that looks like it can ride to the Andes.  Being a guy in the vanishing middle class with a young family and work, I'm not in a position to gallivant off into the woods for weeks on end following my inner McGregor.  I get the sense that, like SUV drivers, many adventure bike riders are in it for the posing.  I've never been good at posing, it's one of the reasons that cruisers have never done anything for me.  I'm less interested in being seen on a bike and more interested in the process of riding it.

An epic journey on a
shoestring

To complicate matters I then saw Mondo Enduro and heard Austin Vince's arguments for adventure riding for adventure riding's sake (rather than adventure marketing for sale's sake).  The idea of taking inexpensive, small bikes around the world seems absurd from a Long Way Round/BMW/Adventure Bike Rider point of view where anything less than a 1000ccs without electronic assist and no wind is 'uncomfortable'.

Why can't I buy this
in Canada, Austin?

While Ewan and Charlie actually did the deed, they did it with an awful lot of support, brand new sponsored bikes, a staff and no worries about money.  That they did it is being leveraged a great deal by bike manufacturers to move large, heavy bikes that are ill-suited for off road work, but they look the part and let you live that movie star dream.

I get Austin's angle, and still get excited by the idea of travelling light and far for travel's sake, not for image's sake.  I'm currently reading Ted Simon's Jupiter's Travels, and he too focused on the opportunities motorcycling around the world offered rather than the image it portrayed.

I just turned 45 and fantasized about mid-life crisis motorbike choices.  I was surprised to find that adventure biking didn't make it onto my list considering it was one of the genres of riding I was most excited by.  Like the SUV driver that has never driven on gravel but wants 4 wheel drive and a massive vehicle just in case it might happen, the idea that an adventure bike will make it look like I can travel down roads I'd never take is marketing that I just can't buy into.  

The road beckons, it's right outside my door, so why would I ride a bike that wasn't designed for it?  It's not like you can't go pretty much everywhere on a road bike, Nick Sanders certainly has.  If you want to get off the beaten path and camp Jo Sinnott can manage it on a Triumph Bonneville.  If you want to be extreme, Melissa Holbrook-Pierson will introduce you to the Man Who Would Stop At Nothing who makes Charlie & Ewan look like frat boys.

There is no doubt that adventure riding is a meaningful genre of motorcycle riding, just as off-roading is a meaningful genre of four wheeling.  But are you the guy who has to hose out his jeep after going deep, or are you the guy who polishes his SUV and pretends he's all about the mud?  I suspect I've read too many life changing adventure bike articles in magazines that sell the myth.  As long as adventure riding is about the image rather than the deed, it doesn't do much for me, mid-life crisis or otherwise, which makes me sad.

Motorcycle Book Review: The Rudge Book Of The Road

I was reading Classic Bike Magazine last month and one of the auctioneers in the back of the mag suggested getting my hands on a copy of The Rudge Book Of The Road if you are looking for an historical read that'll get you through a long winter and prime you for the coming springtime.

I had a look around and finally found a 1926 version of the book on Amazon for about thirty five bucks.

If you have a thing for art deco drawings, the Rudge Book of the Road will scratch that itch!

My copy was once owned by.. a W. Chapman?

Reading a book that's almost 100 years old gives you a perspective on motorcycling that you might not have considered before.  At one point the author talks about how much Rudge has learned from building motor-bikes over the past 17 years.  I found myself becoming conscious decades of development that since went into my current 1971 Triumph Bonneville project and then continued on for decades more as found in my modern Triumph Tiger and Kawasaki Concours.  A bit of historical perspective is a powerful thing when you're hands on with the engineering found in modern motorbikes.  With nearly a century of continuous development, reading about motorcycling from the dawn of the sport is good mental exercise.

The Rudge Book of the Road takes me back to a time when my grandparents were children and, as a modern reader, I'm left struggling to find a frame of reference in our overcrowded and mechanized world.  There were a quarter as many people on the planet when this book was written and internal combustion engines were in an early phase of rapid development as they revolutionized and democratized travel for more than just the wealthy.  This book makes a point of recognizing this exciting period in history:

Traffic jams and the expectation that everyone be commuting in motor vehicles in an increasingly crowded and polluted world makes this perspective feel particularly alien in 2022.  Can you imagine thinking about motorbike travel like this?  If anyone could do it, it's motorcyclists - we may be one of the last vehicular subcultures that clings this kind of romance, even as the vast majority drive their appliances without a second thought for how they work or experiencing any inherent joy in the activity.

Having lived with rough 'colonials' for most of my life, some of the language in this very British book made me smile.  It was written for Rudge Whitworth as a sales tool but it leans toward the romance of riding as a theme throughout.  Rudge themselves lasted until 1946 before they stopped production, so you're reading a book by a company that hasn't existed in over seventy years, which further makes reading this feel like an echo from a distant and unknown past:

The state of the art in terms of motorcycle engineering was making major steps in the 1920s.  Earlier bikes had you oiling the motor as you rode it.  Too much and it would clog the spark plugs and leave you on the side of the road having to clean your plugs, a job most modern vehicle operators would have no idea how to do.  Too little oil and the engine would seize, possibly tossing you down the road.  This degree of involvement in motor vehicle operation was being phased out in the mid-nineteen-twenties bringing more people into the moto-fold.

The idea of sitting down with your new machine and understanding what it needs and how it works is a foreign one in 2022, but Rudge makes this process seem almost meditative.  The idea of lighting your pipe and comprehending your new machine in your shed still appeals to a few of us.  Perhaps this is another of those colonial distinctions.  I have no trouble finding programs on industrial history and engineering when I watch British television, but Canadians seem more focused on resource extraction and office work than they are with understanding how things work and then manufacturing them.  This sort of mechanical sympathy will sound particularly foreign to Canadian ears:

Sit on a can of gasoline and light your pipe!  Those were the days...

This old book doesn't limit itself to motorcycling mechanics.  If you've never camped before they offer advice for those new to sleeping on the ground.  Rudge made sidecar outfits and even a trailer/caravan for people interested in taking everything with them.

When your trusty leather bound Rudge Book of the Road isn't teaching you how to moto-camp, it's explaining how the roads you're riding on might be built on top of old Roman roads or how to identify the architecture of the historical buildings you're touring past.  This makes me wonder whether Rudge's target audience was perhaps a bit more educated than your typical rider, but it also makes me wonder if maybe people were just a bit smarter back then without a phone to immerse them in social media in all the time.

The book doesn't stop at camping or architecture and goes on to teach you how to forecast the weather, tell direction and even tells you where the biggest hills on the island are so you know what gear to tackle them with.  It then provides charts on when the sun rises and sets so you know when to turn on your new-fangled electrical light.  Rudges were one of the first to go electric.  A few years earlier you were lighting a gas powered lamp on your motor-bike before proceeding into the dusk on mostly unfinished roads (while remembering to give the top and some oil).  There are (many?) riders now who have never turned a wrench or put a wheel off pavement.

You'll learn more from doing things than you will from "all the books or professors in the world".  Something we've forgotten in our screen-fueled information revolution?

There is another chapter written by F.A. Longman, Rudge's rider in the 1927 Isle of Man TT road race.  He writes with a racer's urgency and puts you in the rider's seat as he talks you around the T.T. mountain course while it was still young and relatively new.  It's amazing how little has changed in the racer's mindset even while they're using machines that have only just recently become mechanically self contained.  They were seeing huge leaps in speed as technology improved and riders came to terms with what this new technology was capable of.

After teasing you with the Isle of Man TT, the RBotR then gives you some 1920s style advice on how to get ready to compete in trials and perhaps even go road racing with your motorbike:

Civilisation continues to makes fools of us all in 2022...

Give up the cigarettes and alcohol entirely, but do keep the pipe smoking!  Can you imagine modern, liability-driven manufacturers encouraging riders to do this sort of thing on their new motorbike?  It's difficult not to get swept up in the enthusiasm and possibility of riding at a time when it was still new to so many people, including the people who built the things!  The lack of caution is exhilarating.

The book ends with a complete set of colour maps of the United Kingdom, but not before it talks you through buying your Rudge (this is a marketing piece, remember?).  Your fifty pounds (about $1350CAD in today's dollars) gets you the base model of the Rudge Four - for ten pounds more you can get the sport model.  New bikes were much more accessible back in the day! 

The final gift this old book gives you is a list of future readings if you're interested in motorcycles and travelling on them:

Unknown Norfolk is on my shortlist.  I wonder how many places I'll recognize from growing up there fifty years later.

The Rudge Book of the Road was such an interesting read that I'm going to keep digging for some of these other historical moto-reading options.  The RbotR suggests slipping one of these in your (tweed?) jacket pocket to read when you get to your destination and finally put your feet up - with your pipe, of course - after another exhilarating day of riding in the dawn of motorcycling.

A more modern motorcyclist philosopher, Matt Crawford, described riding as "a beautiful war", the Rudge Book of the Road shows that it has always been thus.  If you ride, you'll find this a familiar and enjoyable refrain.

No rear suspension other than springs on the seat and a tank that hangs under the frame: state of the art motorcycle engineering in 1927 seems archaic but these machines were a huge step forward in dependability and hint at the evolution motorcycles would take.

Art deco inside cover wallpaper!

Riding in the dawn of motorcycling...

Welcome to my insanity!

I'm back in the classroom again and teaching English for the first time in more than a year.  I took a senior essentials English class mainly because few people want to teach it (teachers like to teach people like themselves), and it fit my schedule.  Essentials English is just as it sounds.  These are weak English students who are getting what they need to graduate and get out into the workplace, they aren't post-secondary bound and tend to find school pointless.

The trick with students this bullied and indifferent to the school system is getting them to read and write at all.  Rather than drag them into a text book or make them watch the department copy of Dead Poets Society in order to prompt some writing, I thought I'd introduce them to my insanity.  In a week where we're all getting to know each other it helps if students see what you're into.  Showing your hobbies and interests is a good way to have them get to know you.  If they get excited about the idea of planning a trip and it prompts them to write, it's a many birds with one stone situation.

With some support, students quickly
got into planning a trip.  28 days,
unlimited budget!

The plan was pretty straightforward: you've got four weeks (28 days) starting next Monday.  Assume you've got an unlimited budget for a road trip (gotta travel on the ground).  Where would you go?  What would you do?  On the second day I gave them some pointers on Google Maps and some planning tools like a calendar and how to make notes online and they were off.  At the moment it looks like I've got pages of writing from students who generally don't.  The research they've been doing also lets me diagnose their reading level.

Needless to say, I bravely volunteered to present first.  It doesn't feel like homework when you enjoy doing it, and mine was obviously going to be a motorcycle trip.  I probably could have gone more bonkers on bike choice, but I have a sentimental attachment and some practical necessities that prompted my choice.  Rather than go for the South American adventure, I decided to focus on The States, which has tons to offer, especially if you aren't sweating the budget.

Norman Reedus' RIDE gave me an idea of where I'd like to go, the question was, could I get to the locations in the show and back home in 28 days?

Here's what I'm presenting:

I presented this to the class two days before it was due.  Seeing an example helps and gave me a chance to explain my own process in putting together the trip (deciding on a vehicle, breaking the trip into sections, etc).

That photo I doctored of a VFR800 a
couple of years ago came in handy!

Another side benefit of something like this rather than a boiler plate reading and writing diagnostic is that is gives students a lot of control over the direction of their writing, which means I get to learn what they're into, which helps me remember who each person is as well as offering me relevant subjects I can insert into future projects.

I'm hoping they surprise themselves with the results.  If I catch some of them in the future staring wistfully at Google Maps instead of playing pointless FLASH games I'll know that they've been bitten by the travel bug too!

It's a lot to try and pull off in 28 days, but when the budget is unlimited, I want more miles!

Into the Rockies ASAP, then down the coast, across the mountains again, and then up the Appalachians home.

Yellowstone!  Riding over a mega-volcano.

Death Valley and across the South West to the Twisted Sisters on the way to the Big Easy.

Back north in the Smokey Mountains and Appalachians.

I was thinking maybe an H2R or RC213 in a trailer, but then that meant driving a truck and trailer all over the place.
Better to be on two wheels all the time, and on the descendant of my first bike crush.

Things You Want To Do In Your 40s

Work for myself so I don't have to work for some myopic middle manager more interested in climbing than doing the right thing?  Yeah, that'd be nice.  Work on something as hard as I can knowing that no one else can walk in on a whim and derail it?  That'd be nice too.  Challenge my technical skills and develop my diverse talents to new levels of excellence?  That'd be awesome.  Have the means to fearlessly explore technology and the world around us?  Brilliant!

$1.3 million doesn't sound like a lot of money but it would mean a thousand bucks a week until I'm 75 years old.  Somebody better at math and competent with investments could probably figure out a more accurate, lower amount that would do the same thing.  It's comfortably middle-class, but I don't really dream of being rich, I dream of being free from work to pursue my passions.  If I could pull that off what would I do with my time?  It's kind of like retirement, but I want to do it now while I'm still able to do something useful with it.  I don't think I ever want to retire.

Mechanical Sympathy would expand and become an
income stream of its own. It would be the centre of
an online media onslaught!

Here's what I'd aim at if I weren't busy pulling the plough:

MEDIA MAKER

Writer:  I'd exercise the English degree and write, but not in a specific genre.  I'd pursue motorcycle and travel writing more aggressively.  I'd be happiest freelancing and working once or twice a month on assignment with the occasional larger travel project which would lead to a book.  Lois Pryce is a role model.  While that wasn't happening I'd be writing fictional novels.  It would be nice to work for established publications, but developing my own brand online would allow for more control over what I'm creating.  I've been working in large bureaucracies for too long.

If it's new and technically challenging I'm into it. 
Having access to that kind of kit is exciting.
I like to be surprised by what new tech can do.

Photographer:  The goal would be to have the work pay for the gear, and the gear I'm looking for is pretty technical.  I'd like to have professional quality photo and video gear on hand, as well as technically challenging tools like aerial drones, full spectrum and 360° virtual reality cameras to test limits and produce original, even experimental work.  If it's new and technically challenging I'm into it, especially if it probably won't work the first time.

Digital Media:  Exploring digital media has long been an interest (I teach it now).  Having access to the latest tech, not to consume but to experiment and explore, would be fantastic.  Projects would include VR environment building in CAD and simulation, as well as immersive media creation.  I'm working on a VR research project in school at the moment.  I feel like major breakthroughs are currently happening there.  What we have in ten years will make our screen use today look archaic.

TECHNOLOGIST

I got into 3d scanning last year.  The resolution isn't
spectacular, but it's amazing what you can do with
a simple 3d scanner on an ipad.

Mechanic:  I've dusted off old mechanical skills with motorcycling, along with some long unused artistic urges.  Customizing motorbikes is an elegant way to combine left brained aesthetic creativity with right brained mechanical expertise; it's a whole brain hobby!  Having enough time, space and money on hand to chase down old bikes and see customizations through to completion would be grist for the writing and photography mill.

Digital Engineering:  I'm especially interested in micro-manufacturing using digital tools.  Multi-axis milling machines using CAD models offer new avenues into high-tech customization.  3d printers are making advances every day.  Being able to print my own fairing designs would be brilliant.  Being able to print my own designs with dragon scales would be even better.

An opportunity to borrow new technology and see what it is capable of would also be grist for writing and media creation.  If in the process I happened to get very good at producing customized parts, I'd lease the gear and get to it.  As prices fall on what was once expensive industrial grade equipment and digital management makes high tolerance production available to everyone, a new post-industrial age of customization will emerge.

Kawasaki's H2 supercharger impeller is a thing of beauty.

The technology that built it is becoming more accessible every day.

With table top laser cutters and various other digital tools becoming commonplace, the chance to explore these technologies without safety nannies hand wringing from above would be delightful.  The home garage of the future is going to be a magical place of customized, personal manufacturing.  It would be a blast to have the time and means to explore it.

I really do enjoy teaching, but the vampiric bureaucracies that manage it make working in education feel like giving blood; you're doing a good thing but you always come out feeling drained.  I'd happily take in apprentices on my own terms and genuinely enjoy helping them discover and develop their talents, I just wouldn't want to do it in an institution of learning.

One of the things I want to do in my forties is stop others from diluting my focus and wasting my time with their own mediocre expectations.

Too Far Gone

Bike Magazine had an excerpt from Todd Blubaugh's Too Far Gone in the last issue.  The excerpt was so moving that I just got up and purchased the book on Amazon.

My favourite motorcycle reads have been the philosophical ones that dig deep.  The 'I rode very far every day' travel trips don't always get to the why's of the trip, often getting stuck in the trivial details.  The result ends up feeling like a travel advertisement rather than showing the real power of a journey.

Alternately, you have the books that aim directly at motorcycle culture but end up being dimensionless descriptions of it, hyping up the excitement of the ride without making any attempt to understand why people would take these risks and identify with such a divisive cultural icon.  

Zen and the Art of Motorcycle Maintenance was one of the first books to go deep, showing the depths to which some motorcyclists dive when out in the wind.  Anything by Matt Crawford does the same thing for mechanics in general, although he comes from a place of motorbikes.  Deep thoughts while flying through time and space on two wheels are kind of the point for me.  If I just wanted to go fast, I'd do it in a car or a plane.  There is something elemental about motorcycling that zens you into the moment.  The immediacy of it makes you honest.

After reading a few pages of excerpts in BIKE, I'm looking forward to reading not so much about Todd's travels but about his insights.  The motorcycle isn't the point, but it's one of the best vehicles for taking you to eureka that I've found, and I'm more willing to follow an author to those moments of enlightenment on two wheels because I believe in the medium.

Party Time_3LG from Todd Blubaugh on Vimeo.

The Motorbike Show & Wild Camping

I've been consuming motorcycle media at a voracious rate while we're buried alive in snow.  You probably know about the obvious stuff like Long Way Round, but I've been trying to find less known (in North America) faire.  Here is a quick list of some off-the-beaten track stuff that you might not have seen from Great Britain:

ITV's The Motorbike Show:  Henry Cole of World's Greatest Motorcycle Rides fame does reviews of motorcycle culture focusing on racing, restoring and interviewing people involved in motorbiking.  I've really enjoyed this show, I wish it got more attention here in North America.


Wild Camping by Jo Sinnott is an epic journey from Ireland to Portugal through the best parts of Europe.  Jo takes you wild camping while travelling on her Triumph Bonneville.  If you're interested in long distance riding, Jo not only shows you through the rough camping ethos but also looks into the mindset you need to survive a long road trip.

ITV and Travel Channel UK represent motorcycle and travel culture on the leading edge. I only wish they were more available in North America.  OLN?  Speed Channel? Pick these up!

Lobo Loco Comical Rally: July 2021

It doesn't matter where you live, this one is a start anywhere, finish anywhere timed rally on Friday, July 23, Saturday, July 24th or Sunday, July 25th.  You need to cover at minimum of 400kms to be considered a finisher but otherwise it's an open event.

https://wolfe35.wixsite.com/lobolocorallies/blank

Comical Mini Rally

Motorcycle Scavenger Hunt

 

Friday, July 23rd to Sunday, July 25th, 2021

(Any 12 hour period)

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Our Mini Rallies give riders the chance to get involved in Scavenger Hunt events without having to travel to the start lines.  You can start these ANYWHERE; we've had riders from all over the world do them each time!  You can also choose when to start your 12 hour ride clock, so you can adjust the event around your own work schedule and the local weather.

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This event will have you looking for the Super Hero themed locations...

along with other Villainous twists & turns that Lobo Loco Rallies likes to throw your way!

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12 Hour Rally - Starts ANYWHERE​

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Note:  You will need to ride a minimum of 400km

in order to be considered a Finisher.

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Only $30 per bike!

Register here!  https://rides.jasonjonas.com/regRequest.php?id=752

Here's the Facebook page:  https://fb.me/e/1a7Io8CY6

If you're looking for a reason to put some miles on your bike and see places you wouldn't usually go during a strange summer where the rules of travel aren't very clear, do this!  You've still got a week to sign up.

Wanderlust: A Travel Motorcycle Production Company

I'm at it again.  Wanderlust, but with my trusty production crew this time.

North and West and then back again with the least amount of same roads:

I must have some kind of strange OCD, but I really enjoyed putting this together:

With scheduled production crew meetups and travelling together from Prince Rupert to Vancouver Island and back to Vancouver, it turns into a 41 day ride schedule with a 36 day production schedule.  The production team (Max & Alanna) have 8 flights spread over the 36 days they are on the road.

This would be an opportunity to collect video and develop a cross Canada story from a lot of different angles.  The production team would collect stock footage of the various regions we're in and save footage and data off the bike at meetups.  They'll then backup all data including footage and keep it safe.  I also hope they'd maybe develop their own stories in the process.

The goal of the production will to use the latest in digital tools to record the trip, eventually producing a variety of media out of it.  My goal would be a written story of a long distance, cross Canada, endurance motorcycle ride with photography to support a book.  I'd also then look to turn the ride into an episodic travel TV show.

Tools We'd be using

A 360° camera for experiential video.

I used a Ricoh Theta 360° camera a few weeks ago and was impressed with the results.  I'm not sure how we'd integrate this video into a media piece, but it would open the door to exploring virtual reality, which feels like the next big thing.  The lack of a single point of view makes for challenging post production, as does the huge amount of data it collects.  ThetaS: $450  The 360fly could be another choice.

A Contour action camera on the bike.

I used this last fall and found its small profile ideal for collecting video from a motorcycle.  The upper scale model allows memory and battery swap-outs, making it ideal for shooting on long days.  I'd have one wired in to the bike so it could keep shooting for footage we could use in high speed video.  When things get really rough up north, this will keep collecting footage when others fail.  Conour+2: $430
The Olympus Tough TG-Tracker might be an interesting alternative.

I'm partial to Olympus Cameras.  In addition to the video camera on the bike, I'd also carry an Olympus OM-D E-M1 DSLR for photography.  It's weatherproof and tough, takes a wide variety of lenses (I'd carry a tele-zoom, 2x teleconverter and super wide angle with me).

Backup batteries and memory cards mean it'll keep going all day.  Olympus OM-D E-M1: body & lenses $2800

The production team would carry a pro-quality DSLR camera for shooting highest quality video.  The Canon EOS 70D is generally considered the top DSLR for video.  With proper video LED lighting, tripod and on camera and interview mics this kit would collect top quality video and sound.  Multiple battery and memory cards mean it can keep shooting on long days.

Multiple microphones (on camera and clip on interview), a teleconverter and a wide angle lens along with the 18-135mm lens would cover pretty much every eventuality.

Canon EOS 70D with accessories:  $1700

Another leading edge tool for this trip would be an aerial drone to take fantastic establishing shots.  The DJI Phantom 4 is a Canadian made aerial camera platform that produces astonishing video footage.  Its 28 minute flight time mean it could be used on multiple flights and recharged in the camera truck between flights.
Phantom4 with spare batteries & case: $2300

$30k seems like a good price for generating a wide variety of footage that could eventually be made into multiple cross country stories of epic proportions!

Now to find a producer and some corporate support.  My logo-ed dream team would be: