An Ode to Sturgill Simpson's Sound & Fury

 

Just watched Sturgill Simpson's Sound & Fury anime on Netflix again the other day - it really is something else.  If you're into anime, or smart music, or avenging motorcycle riding samurai with robot ghosts in machines (along with a wild mashup of other experimental anime storylines and styles), you'll dig this.

I'd done some digital art around samurai on motorbikes previously so I mashed up some of the samurai details from Sound & Fury with it and threw it together with the blog logo:

Disco!

Chasing down a clutch slave cylinder leak in a 2010 Kawasaki Concours C14

Motorbikes are like sharks, they die if they aren't in motion.  There is a funny moment in the Bakuon!! motorcycle anime where the old motorcycle store owner talks about how lazy motorcycles are since they just lay down if no one is holding them up.  So bikes are sharks that need people to keep them in motion.

The latest project bike is a fantastically complicated machine.  I've rebuilt fabulously complex sets-of-four-carburetors and chased down other complex repairs in motorcycles, but I suspect this 2010 Kawasaki Concours C14/GTR1400 has single systems, like its motorized windshield, that are more complicated than whole previous bikes I've worked on; this bike a complex mix of mechanical and digital engineering, and it's been sitting for several years when its previous owner could no longer give it the urge to stay in motion.

On the Concours the clutch slave cylinder uses brake fluid to hydraulically assist the clutch, giving you an even, assisted clutch action.  I went for a long ride on the Tiger yesterday and I'm not ride-fit yet as it's still early in the season.  The grip muscles in my left hand were singing by the end of the ride and I was getting lazy with gear changes as a result.  A hydraulically assisted clutch would make long rides more comfortable, so there are benefits to this complexity.

This is the first bike I've owned that isn't a simple mechanical clutch that uses a cable tied to the transmission.  On the C14 the clutch is on the lower right of the motor and the clutch and the slave cylinder it feeds is on the left.  When you apply the clutch the brake fluid in the hydraulic system pushes a (very) long rod that runs right through the bottom of the motor over to the clutch.  That long rod is coated in molybdenum disulfide grease and connects the hydraulic clutch slave system to the clutch itself over on the other side of the motor.

One of the parts diagram blowouts I was looking at called the 92026a a gasket, so I purchased that thinking that's where the leak was, but this isn't a gasket, it's a hard spacer.  When you attach the clutch slave cylinder housing to the bottom left side (left and right is with the rider on the bike), this spacer isn't a seal and the bolts holding it on need locktite to keep them in place because they're only held on with 97 inch-pounds of torgue (which is little more than my hand tight).  You don't want to crank on the bolts, you want to sympathetically install the housing to spec so the spacer isn't squashed and can do its job.

When I got into the clutch housing it was pretty grotty.  This stationary shark has lots of little rubber bits in it that don't sit well, and the 92049 rubber piston seal has perished in the years the bike sat.  The brake fluid that the clutch hydraulic system uses was leaking past the seal into the chamber with the rod in it, which is usually dry, and then leaking around the spacer.

In retrospect I should have looked over the shop manual more closely and wrapped my head around how the system works before I rushed in to buy a spacer I didn't need.  I've contacted Two-Wheel Motorsport to get the seal.  They were very quick with a 2-day turnaround (impressive during Ontario's third-wave of Covid) and offer curb-side pickup, so I'm hoping by mid-week I'll have what I need to rebuild the clutch slave cylinder and get the clutch back to spec.

I'm now wondering if this leaking seal was the reason why it was such a pain in the ass to bleed last time - that certainly makes sense.

That clutch cylinder (gold) slides out and the seal and spring are easily accessed.  You need to replace the seal if you remove the cylinder so make sure you've got one on hand if you're going to pop the cylinder out.

It's also recommended that you apply some rubber grease to the seal as you're installing it.  This stuff looks like it'll do the trick and is formulated specifically for a tough life immersed in brake fluid.

Interestingly, replacing this seal isn't in the clutch section of the shop manual but rather in the maintenance section, which suggests that these seals have a limited life-span and are a regular maintenance item.  If you own a C14 you're probably going to be doing these at some point, especially if the bike sits for any time or you're not a regularly clutch fluid maintainer.

NOTES

Upper bleeder is 8mm, lower is 10mm.

SPEED BLEEDER parts listed from Murphs:

part:  SB8125# thread: M8 X 1.25 length: 1.10, (27.99)

part:  SB8125L # thread: M8 X 1.25 length: 1.28, (32.54)

Online resources for Concours Speed Bleeders

Murph's Kits - but they are very US focused  *5 each PN SB8125L, and 2 each PN SB8125*

Dennis Kirk:  gives lots of technical details

FOLLOWUP

The installation of the seal is very straightforward.  You can slide the cylinder out by hand and then remove the seal, which sits in a depression, very easily.  The new one was a snugger fit when sliding it back in, which is probably why the old one was leaking.  I coated the seal in this brake lubricant, which helped it slide in.  Pushing evenly with the heel of my hand helped seat it straight.  I also lubed up the rod that runs through the motor to the clutch with this moly grease.

The whole process took about 10 minutes and no more leaks.  The clutch bled much more quickly and easily without the leak and the clutch feel is excellent now.

Getting the fairing back on required some fiddling as the previous owner's drop had bent the metal piece it attaches to and I'd fixed the cracks in the fairing so they all lined up true now.  I ended up heating it up and bending it back to its usual position and it all went together.  The bike's now ready for a safety but I'm having trouble getting a response from Lloyd, my usual go-to local mechanic.  Hopefully I can get the paperwork in order and get it on the road next week.

Finding Meaning on Two Wheels: a philosophy of motorcycling

My professional life is kicking the shit out of me this year, so when the never ending winter of COVID finally ended and the roads cleared so that I could ride again it felt like coming up for air after a winter underwater.  It isn't too far a reach to say that riding feels like breathing to me.

I'm in the process of buying another bike, one big enough for my son and I to go on rides again with, and the current owner said he'd never ride again.  I can't imagine a situation where I'd ever say that.  You sometimes hear stories of elderly senior citizens who still ride.  That'll be me, or I won't be a senior citizen.

In the professional reflections blog I've been thinking about full commitment and how a job that encourages it can make you your best self.  It's a lasting sadness that so many people see work as purgatory rather than an opportunity to find their better selves.

The Japanese are much better at this than westerners are.  They don't wish each other good luck when doing something difficult, they simply say, "gambate!" or 'do your best!'  And that effort is what is respected regardless of outcome.  They make effort a socially appreciated thing where western cultures tend to fixate on winning.  There is a great scene in the Tokyo Ghoul anime where the bad guy is dying after a vicious fight.  He's an evil, cannibal ghoul so there aren't many redeeming features there, but everyone stops to listen respectfully to his last words because he put up such an epic fight.  We're all too busy trying to win to care about anything like that.  We'd vilify and belittle him rather than respect the effort.  This makes us remarkably unhappy because the problem with competition is that there is always a loser.

When you're approaching an activity that makes full use of your facilities you get lost in it.  It doesn't limit you, it expands you, makes you better.  Motorcycling is a technically complex, physically and mentally demanding activity that asks a lot of you, but the rewards are worth the risks.

If you're Simon Pavey or Guy Martin or Valentino Rossi, you race because that's where you have to get to in order to find the edge of your skills and give you that sense of complete immersion.  The leading edge of my own motorcycling has also moved on.  Where I'd once be happy with commuting on a small bike, I'm now working my way through ownership of different kinds of bikes and wish to expand further.  The limits I'm seeking in motorcycling aren't just in riding, but also in mechanics.  It's for that reason that I find events like the Dakar, especially when someone like Lyndon Poskitt does it in the malle moto class, so fascinating.  They're combining that technical skill with riding ability in a way that most racers can't or won't.

My work is usually able to give me enough latitude to fully immerse myself, but this year COVID has made it a broken thing unable to do anything well.  It has changed from an opportunity to seek excellence to never ending triage in mediocrity.  This has me asking hard questions about what I'd do if I didn't need the money it provides.  These are questions you should ask yourself before retirement, but they're also questions you should ask yourself when you're in danger of getting mired in work that doesn't let you find your best self.

Watching Ride With Norman Reedus last week, he was on the South Island of New Zealand where he had a chat with a young man from Canada who had opened up a business there.  One of his reasons for living where he does was that there had to be good riding roads easily accessible nearby.  This means he can explore riding in challenging circumstances, which seems like enlightenment to me.

In my final years of teaching I hope I can rediscover that sense of energizing peak performance that improves rather than limits me, and if not there then in another job that gives me the latitude I need to chase excellence while supporting my family.  Should I ever get to the point where I don't need to spend my days working for someone else, then it'll be time to move to a place where I can explore riding more fully.

That somewhere would have easy to access track days that let me explore riding dynamics at the edge of road riding, complex local roads that make me a better rider and off road opportunities that let me explore riding in a variety of unpaved situations.  Where I am now offers none of these things.  I'd also have the means to develop my mechanical skills to the limit.  I'm fortunate in that I have such a rich hobby and sport to explore.  I feel sorry for those that don't.

How Many Motorbikes is Enough?

One of Peter Egan's articles in Leanings is an answer to the age old motorcyclist's question: how many
motorcycles is right?  Egan's list follows his own interests in the sport.  His suggestions are:

1. a sportsbike for short, focused rides that are all about dynamics
2. a sport touring bike for spirited long distance riding
3. an off road bike (though this could be a bigger dual sport or adventure bike, not just a dirt bike)
4. a Harley for long distance 'Merican Dream type rides
5. an old nostalgia machine that takes you back to a bike you couldn't afford when you wanted it

He suggests that more than five bikes is too many and you end up with them going stale and getting covered in dust or getting so few miles they get musty.  Collectoritus is another thing,but if you're a rider with a working stable, five's the limit.

I've had a crack at the bike stable before, though Ontario's craptastic insurance system makes that more frustrating than exciting.  There are a couple of Peter's choices that are very specific to his interests that I think I can cut or clump into efficiencies.

The easy drop for me is the Harley.  I'd combine the touring with sport-touring in a Kawasaki Concours 14 that is big but athletic and can carry more weight two-up than a Harley anyway and with suspension and serious performance.

Shaft drive means it'd be a low maintenance device and, being a Kawasaki, it would run more or less forever.  We rode a previous generation one in the Arizona desert and it was brilliant; powerful, comfortable two up with luggage and surprisingly agile in the twisties, just what I'm looking for.

I figured that the sportsbike thing would get sorted with the Concours, but the Fireblade has changed 

my mind.  I don't need a brand new digital weapon.  Something light weight and minimalist would do the trick.

The 'sportbike' is more a 'cornering dynamics bike' - the point of it is to go on engaging rides where you're riding to ride rather than get somewhere, so a naked bike could do the job too.  To that end, if I had my choice I'd look for a naked alternative as it'd be easier on my old bones, though for anything up to 90 minutes I'm fine on the 'Blade, so I'm not in any rush to swap it out.  The naked bike I've always had a thing for is the Kawasaki Z1000 with it's anime like sugomi styling.  If it was a cost-no-object thing, I'd have a Z1000 in the most lurid orange I can find in the garage.

The dirtbike thing is another one of those opportunities to splice together a bike that'd do many jobs.  If you really wanted to condense things you could take the sports touring, touring and off-road categories and combine them together in something like the spectacular new BMW 1250GS that I rode last summer at SMART Adventures Off Road Training.

But as I get better at off road riding I realize what a compromise a big adventure bike is in really doing it.  Like the SUV that proceeded them, ADV bikes are so expensive and heavy nowadays that, while they might handle a bit of gravel, they aren't useful for trail riding or anything like off roading in more than an unpaved road kind of way.  I like the idea of getting deep in the woods and I like things that aren't so special that you're always worried about scratching them.  I wouldn't want to think about one falling on you in the woods.

This Honda 600XL came up last week on Kijii for under two grand.  I'm a sucker for that colour scheme and the gold rims - very 1980s.  Having something that old and simple would be nice to work on and straightforward to maintain, even if I wanted to get down to complete engine rebuilds.

It might be a bit too old for what I'm looking for as its function would be to get beaten up in the woods so something newer would be better, but that colour scheme...

Back in 2019 I went and looked at a Suzuki DR650 that had been purchased by a local farmer as a field bike.  He had a heart attack and died shortly after bringing it home and it sat in his barn for four years with no kilometres on it.  His wife was selling it for $4000 and I still regret not picking it up, basically a brand new machine (albeit one that's sat for a while) for 60% the price of a new one.

Something like that would be light and capable of trail riding while also being dependable and not so precious that a scratch would wind me up.

At the end of the day, if space wasn't an issue in my wee garage and Ontario's insurance system wasn't so nasty, I think these would be my five:

1. Athletic Distance Machine: (Kawi Concours14)
2. Dynamic Rider: (Fireblade, Z1000, or another light weight sport or naked machine)
3. Adventure Bike for Canadian Exploration (roads suck here, even if they're paved, and they often are suddenly not. An ADV bike will cover the rough over long distances)
4. Dirt/Trials Bike (a pedigree machine for intentional deep woods trail riding)
5. Revolving Door Bike (project, by and sell, experience something new bike - sometimes even a Harley!)

Moto Anime: Bakuon!!

I've written about motorcycle related Japanese anime before, it's a whole sub genre of media from a country that is a motorcycle producing superpower with its own unique moto-culture.  You name the anime and there is probably a rider on the team who works in motorcycles somehow.  But there is one motorcycle anime where bikes aren't worked in, they're the main subject.  Bakuon!! tells the story of a group of high school girls who meet over a shared love of the sport.

Bakuon is Japanese onomatopoeia for the roar of a motorcycle's exhaust (the Japanese have some pretty funny word sounds).   In the opening of the show each of the main characters bond over their shared love of riding.  The experienced riders mentor the younger ones as they get their licenses and begin riding together, but don't assume this is a why so serious coming of age story.  Bakuon!! is edgy and laugh out loud funny.  Even non-riders would find this an accessible and funny thing to watch, but it'll challenge you.  Bakuon!! is shamelessly Japanese.  If you're unfamiliar with Japanese humour, which can feel very foreign to gaijin, this show might seem offensive.  All I can suggest is to maybe stow your Western superiority complex away and see if you can wrap your head around it.

Hane Chan is the character you follow into the story.  She's not really the main character, it's an ensemble,  but as a new rider trying to get her license you get to discover the joy of riding with her.  She also tends to explain to outsiders what craziness is going on in the group.  Her initial interest is sparked by her first day trying to ride her bicycle up the hill to her new school, and her actual interest in motorcycles is minimal, until she experiences riding for the first time:

How edgy is the humour?  At the riding school where Hane is getting her license she begins a conversation with the bike they lend her (as you do) who speaks to her with an older woman's voice. At one point Hane asks why the bike has such a masculine name when it has a woman's voice.  The bike tells her that because it's a practice bike at the academy it has had all the go-faster technology removed from it, so it was castrated.  When Hane discovers she's been riding a trans-gendered bike she just nods and goes about her day, as you do.  You might find this foreign in a Western mindset, but the lack of judgement around gender is refreshing.

An even edgier moment happens when the girls take a long trip up to Hokkaido.  When they reach the end of Japan they come across one of the teachers from their school who is attempting to commit suicide by jumping into the ocean because she's just broken up with another boyfriend.  She failed comedically (the point isn't a cliff and she falls onto rocks five feet below).  The girls take her back to their hotel where the teacher proceeds to get drunk and attempt to molest them.  At this point your appropriateness meter is probably pegged, but, as they do in all circumstances, the girls back each other up and get out of the situation themselves.  After that moment of girl-power the show signs off with them cleaning their bikes with their swim suits on.  Trying to keep up with the twists and turns in Bakuon!! is part of the challenge.

The humour in the show is unrelenting.  Each of the girls is smitten by a specific Japanese manufacturer (though Ducati sneaks in there too, but not without a lot of ribbing), and they're constantly giving each other a hard time over it.  At another point Suzunoki Rin, who tells a dramatic backstory about her accident prone father, has to explain how she has a Suzuki brand on her butt.  Physical humour operates on a different plane in Japanese culture.

In another episode Onsa, the Yamaha or nothing rider, accidentally licks Rin's drool (they both fall asleep on a train - it happens) and catches a Suzuki germ that makes her only like Suzukis.  This kind of brand fixation is a constant source of material in the show.  The only time it gets turned up even higher is when they make any reference to non-Japanese brands, who are all evidently incapable of making something that won't blow up on you regularly.  Considering the hard time they give each other, the shots at other manufacturers (like my beloved Triumph) comes across as funny rather than nasty.  If you're ever feeling hard done by when watching the show, at least you're not a bicyclist. They're relentless with the Tour de France types.

If you like motorcycles you'll love Bakuon!!  If you like anime you'll enjoy this show for its humour and a style that takes some interesting risks, like showing most men in the show without a face.  Yes, it can get edgy, but that tends to be a Western cultural dissonance thing more than any negative intent by the show.  The girls all play off each other for maximum comedic effect and the writing is willing to take unexpected turns to chase down a laugh, as it should.

As an anime with motorcycles but also about motorcycles, Bakuon!! offers you a deep dive into Japanese assumptions around riding that anyone on two wheels would find enlightening.  As a Japanese school girl anime it also breaks a lot of stereotypes.  A group of girls who ride makes this a feminist statement.  The girls are very self sufficient and never look to men or even adults for solutions.  The most skilled rider in the show is the untouchable club sempai (mentor) Raimu Kawasaki who always wears her helmet and never speaks, Top Gear Stig style.  At one point she lifts up her big Ninja effortlessly and frequently performs riding stunts that defy belief.  She was sitting in the school clubhouse alone when the girls show up and was evidently in the club when the school's current principal was at the school, she might not even be human!  I can't help but feel that she's presenting some autistic tendencies, further stretching the show's reach.

That Bakuon!! is also a comedy busts another malecentric stereotype.  If you can get your Japanese school girl mindset on (and everyone should), this'll amuse and entertain.  You should give it a watch.

You can watch Bakuon!! on Crunchyroll online.

Moto Anime

Best. Wheelie. Ever! The Robotech Cyclone rocks!

At the end of the 1970s as a nine year old I came across Star Blazers, the English version of Space Battleship Yamato.  This was my first look at Japanese animation, which was quickly followed up by Battle of the Planets and Robotech.  It's safe to say anime was a major influence on my developing sense of aesthetics.  Being Japanese, there were an awful lot of motorbikes in the various stories, probably because many of the people making the animation were riders.

I've written about motorcycles and anime before, in fact you could probably call it a recurring theme.  The history of motorcycles in Japanese animation is a long and storied one.  Motorcycles themselves are deeply embedded in the Japanese psyche, in much the same way they are in Western history.  As a symbol of freedom and power, there is little that comes close.

If you haven't dug into Japanese anime and you're into two wheeling, you're missing out.  Anime offers a distinct angle on motorcycling that is often at odds with how it's presented in film and TV.  It's also quite culturally distinct.  Japan has a rebel biker culture similar to but distinct from Britain's cafe racers or North America's one percenters.  Anime films like Akira make that culture a big part of their story-lines.

Sometimes I forget how many times my formative, young mind saw motorcycles in anime in the 1980s and filed the idea away.  I'd actually forgotten that Princess rode a bike (albeit with rockets, missiles and it transformed into part of a spaceship - but who wouldn't want that?).

My life-long mecha メカ fixation (one I share with Guillermo del Toro) often merges with motorcycles.  The Japanese Shinto religion believes in a pan-theistic world where there are many gods or kami that can inhabit anything, including machines.  Many motorcyclists are prone to this Shinto-ist belief - if you don't believe me ask one what kind of personality their bike has.

Princess from Battle of the Planets rides like she stole it.

Have you tried tickling the carbs?

If you like the romance of riding, you'll find it in anime:

Akira is a seminal anime from the 1990s set in a dystopian future Tokyo where Bosozoku biker gangs have run amok!

Like Kaneda's bike?  It's two wheel drive pushed by a cold superconducting electrically driven power-train on a carbon/ceramic frame.  The whole thing comes in at just over 150 kilos.  You're seeing it folded down in the lower profile high speed mode, but it bends in the middle into a more standard shaped machine when needed.  It's rumoured to be a Honda, but any manufacturer's markings are gone from the stolen bike used by Kaneda in the film. Someone spent a mint making a working model of the thing.

There are a lot of anime that focus on motorcycles, usually with a dash of mecha thrown in for good measure.  Rideback is a near future anime with modern digital animation that focuses on robotic motorcycles, but the main relationship is between an injured ballerina and a modified bike that has all the rider aids turned off (she is the only one who can ride it because of her athleticism).  Once again you get a strong sense of Shinto as the bike itself is presented as a character in the series.  The relationship between it and Rin Ogata allows her to heal after her career ending injury, it's good stuff!

Baribari Densetsu is another moto-specific anime that's worth watching if you love riding. Have a watch below, you'll see what I mean.  This was obviously made by people who ride:

Racing on public, mountain roads by bosozoku on modified bikes was a social issue in 1980s Japan.  This anime follows the story of young men learning how to ride fast before going professional on track.  It parallels the lives of young racers at the time.

If you've never given Japanese animation a go, don't think it's all one thing.  You can get everything from violent, adult only feature length films to school girl soap operas, and you can bet there are bikes in pretty much all of them.

20 best anime with motorcycles:
https://www.ranker.com/list/best-anime-about-motorcycles/ranker-animeKino's Journey is a good one I forgot to mention - there are a pile on there I haven't seen before that are now on the hunt list.


Of course, there's always Sturgill Simpson's Sound & Fury on Netflix where the muscle car driving samurai becomes the moto-samurai with robot support...

Sturgill Simpson's Sound & Fury

I came across Sturgill Simpson's Sound & Fury on Netflex last month and I'm hooked!  I've been an anime fan since discovering Star Blazers in the early '80s, and I'm always on the lookout for the good stuff.  That anime fandom was a motivator in moving to Japan for a couple of years at the end of the 20th Century.  While there I did me some kendo and got pretty handy with the old katana, so I have a soft spot for samurai too.

The first time I watched Sound & Fury I was swept away by the cinemtic quality of the thing and quickly became a fan of the musician, though I hadn't heard of him before.  I especially enjoyed the disonance of a country music singer with a decidedly American sound being mixed with Japanese animation:

If you think the muscle car samurai is a cool opening, when she suddenly turns into a motorcycle wielding samurai with robot support it moves to a whole new level.  Just when you think vengence shall be hers everyone is suddenly line dancing - you won't get bored watching this unfold.  It's a visually stunning multimedia extravaganza that really pushes boundaries while offering a great way into a unique musical style that delivers intelligent and nuanced lyrics.  I'm not a particularly musical person, but this visual tour de force was right up my alley and encouraged me to engage with the songs.

One frustrating part of this is that Netflix seems particularly stingy with the art marketing of this project.  After looking for wallpapers online for the laptop, I gave up and made some of my own.  This is purely a work of fandom for this project.  I sincerely hope they come out with another visual album like this, it's my kind of music.

In the meantime, if you're a fan of the anime, these might satisfy the wallpaper itch for your digital device:

2020 Moto Wishlist

Next season is a long, cold winter away, but I'm already daydreaming about what might be...



TomTom Rider 550 Moto-GPS:  I've always made do with my phone, but Google Maps is kinda crap when it comes to navigating on a bike.  Whenever you reach a way point it wants input, which isn't easy when you're flying through the air at 60mph with gloves on.  The TomTom not only is glove friendly, but the software is moto-specific, so no pointless inputs.  It even has a twisty-roads function!  $370CAN

A New Roof: I'm partial to Roof Helmets. To date I've owned a first generation Desmo and a Boxxer. The Boxxer is a simple thing and I miss the plush, quieter and more substantial Desmo I had before. Roof has actually come out with a new Desmo, the RO32, and I'm partial to the new flat dark blue lid they've just done. Roofs are hard to find in North America, but Chromeburner has the new lid on for about $500CAN.                          

Racing Kit!  A one piece racing suit for the other thing below.  Now that I'm with sports bike, perhaps I could take it out to track days.  To do that I'd need the proper racing kit.  To get the right spec helmet, boots, gloves and racing suit, I'm at about $2200.  Fortnine has the bits I'd need.

A long time ago I did a car performance driving school at Shannonville Race Track and really enjoyed it.  Taking the Fireblade out on track would be a brilliant way to get to know this athletic machine.  Riderschoice.ca has track days.  I just need to get the bike sorted and have the kit necessary to do the business.

Starting at about $170.

Of course, if you're doing track days and need to prep a bike for the track, you need to drain coolant and all sorts of other stuff.  What you really need is a way to get it there.  The new Transit Connect is super fuel efficient for a van and would carry my stuff and people when needed.  About $37k.

Van's got a tow hitch, so trailer, obviously...  $1600 at Canadian tire for this one.  Maybe trailers don't matter, but I'd like to colour match this one to the van.  With that and a fitted cover, it could take one or two bikes to wherever the snow ends in the winter and trackdays in the summer.




BIKE WISHLIST:

A next level off-roader.  I've done a few rounds of off-road training and dig the experience.  I'd like to race enduro and need something dependable and big enough to carry me.  There was a Suzuki DR650 I looked at in the summer for a very reasonable $4000.  It was five years old but basically brand new due to some back luck by its owner.  I wish I could go back in time, get that bike, sort it out for enduro racing and then do it!

Track-day bike:  I've already got this one underway with the Fireblade project.  Sorting out the CBR900rr in the garage and then making it track-day ready would be brilliant.  The real block to entry is the cost of racing kit and the ability to transport the bike to the track.  I think I'm some finishing up and detail work away from putting the Honda back on the road in the spring.




Top Speed Machine:  I've always been partial to the Suzuki Hayabusa, and it would let me do a bucket list thing (200mph on a motorcycle) with only a few modifications.  To stretch the bucket list wish, I'd take it out to speed week in Bonneville and do 200mph on the salt.  If I wanted a leg up on this, someone has a modified turbo Hayabusa in Windsor.

A 2-up Touring specialist:  The Tiger will do 2-up work, but it isn't ideal for it.  A bike that's a 2-up specialist would be the ideal tool for the job.  Out of all the big cruiser/touring bikes out there, I think the Goldwing is the best.  I've ridden a friend's.  It's surprisingly athletic, even with 2 people on it.  Touring bikes don't come cheap - the 'Wing is a $30k thing.

Anime Dream Machine:  The Kawasaki Z1000 has long been a favourite and its Sugomi designed look is pure anime awesomeness.  I've got to admit that the Fireblade project sitting in my garage scratches many of the same itches though.  There's an orange Z1000 in Quebec going for about $10k.  I think the Fireblade might have scratched this itch...